The Grab Brothers Band Present ‘Traffic Jam’ & ‘Lifetime’
The Grab Brothers Band shows the yin and yang of classic rock with “Traffic Jam” & “Lifetime.” Genres picked with the group run the gamut from glam rock to psychedelic folk pop. Whatever tactic they like, what remains the same is how they let the vocals rest at the center of the sound. Such an emotional rollercoaster, they express wanting to break free from feeling trapped in the Traffic Jam to the sense of peace that comes with the cyclical, soft-spoken Lifetime. Production adds to the appeal, allowing them to feel wonderful.
Immediately, they start with fanfare on the fantastic “Traffic Jam.” The name hints at irony as this is a jam sort of style, with the interplay amongst the band feeling downright liberating. Besides the clear nods to classic rock, psychedelic rock and funk elements filter into the fray. Vocals rest right in the center of the whole thing, allowing a wild, animalistic presence to take hold as the song constantly increases in energy. Soft breezes on the beach define the soothing “Lifetime.” With this track, there is a sense of exploring the entirety of the world in a reserved, respectful manner. Volume is turned down, and the acoustic flair of the guitar becomes readily apparent. Even little flourishes on the edges of the song do not take away from the campfire intimacy of the setting.
Everything in “Traffic Jam” and “Lifetime” shows off the tremendous range of the Grab Brothers Band in delivering this satisfying, soulful slice of rock.
https://www.grabbrothersband.com/
Soak up “Bathwater” by KFIR
Electro-Pop sensation, KFIR, releases the new single “Bathwater” that is bubbling with excitement. “Bathwater” is the featured single off of the upcoming EP that is sure to turn heads. With hypnotic sensibilities in place, KFIR delivers a performance that will get people talking. “Bathwater” will entertain you and make for one, clean listen from top to bottom.
Release Date 4/18/2025:
Written by KFIR and Anthony Fonseca (who also produced the recording), “Bathwater” will revitalize your ears with its fresh vitality. Dubbed “Dark-Pop” by some critics, I don’t sense that from KFIR and this single. I hear songs with club-worthy beats and heavy production with a dash of deep material. This powerful mix created by KFIR has many unique ingredients and so this “Bathwater” feels just right to the naked ear.
As soon as I hit play, I hear an infectious dance hook and one catchy vibe overall that immediately pulls listeners in. It’s time to hit the dance floor and enjoy “Bathwater” with its raw yet refined touch. With a healthy balance of elements and textures, “Bathwater” is the perfect blend of coolness and full-bodied tones. KFIR certainly is heating up with this new release by delivering a refreshing groove that washes over you.
“Bathwater” appears to be at the ideal temperature when it comes to a well-rounded track. KFIR is making a BIG splash here, so allow “Bathwater” to soothe your senses and satisfy your mind. Kfir calls this single “a journey into the mental landscapes that obsession triggers”. Digging deep while also stirring up a dance craze is what KFIR brings to the airspace and in turn will drive the audience wild! Pop and dance never sounded quite like this thanks to KFIR’s extreme creativity as an artist. Only thing left to say is to jump in, the “Bathwater” is fine!
By Jimmy Rae
Rye Catchers Presents ‘Lie to Me’
Rye Catchers presents his latest single called ‘Lie to Me’. The gifted songwriter out of Wisconsin, Brookfield will surprise and astound the music world with a substantial and entertaining track on April 21, 2025. ‘Lie to Me’ carries a good amount of pleasurable emotions and touches, while staying imaginative and building a soundscape of Pop and Alternative Pop.
Somewhere in between Disco, Funk, 80’s Wave, Dance, and Electronic music, ‘Lie to Me’ manages to stay unique, sensational, honest, remarkable, and proves to create an alluring world of its own.
https://www.symphonicms.com/album/view/id/c1a2eb10b8abd1fb40100b8dfaa571ea
‘Lie to Me’ is an Indie Pop single that engages and participates with the idea of differing messages in relationships. Furthermore, Rye Catchers brings to life the reality about how the world would rather hear white lies than face excruciating truths. With ultramodern vocals by Taylor Mathews, the single intertwines temperamental introspection with an optimistic enthusiasm, creating an transmissible yet emotionally resonant vibe.
Rye Catchers’ latest piece of work is drenched in extraordinary and substantial mastering, and producing dexterity. The dreamlike and gentle electronic touch gives the song a late 80’s and early 90’s sensation. The drums contain a crispy snare, hi-hat, well thought fills in, and magnificent cymbal work. The groovy bass, funky guitar, psychedelic keyboards, and the well executed vocals create a glorious and superb single that will keep the listener on its feet. Rye Catchers establishes himself as one of the most compelling and original songwriters today.
Rye Catchers and company continue to sculpt out their own space in the Indie Pop music world. ‘Lie to Me’ stands as a representation of the artist’s capability to blend past influences with an innovative and successful sound. ‘Lie to Me’ is around the corner and it guarantees to be an astonishing and fascinating single for all music enthusiasts.
https://www.instagram.com/ryecatchersmusic/
Ken Holt’s “I Did Not Know” – A Wistful Gospel for the Wisdom of Hindsight
Ken Holt doesn’t just write songs—he etches memoirs into melody. With his new single, I Did Not Know, the Florida-based troubadour continues his timeless excavation of soul, searching the wreckage of love, loss, and what-could-have-beens with the kind of grace that only comes from living through it. This isn’t nostalgia for nostalgia’s sake—it’s a blood-warmed confessional with calloused hands and a heart that’s been through the wringer but still beats hopeful.
Holt, whose rock roots stretch back to MCA-signed outfit The Blend (yeah, they opened for The Who—let that soak in), steps away from the amplified swagger of yesteryear and into something quieter, deeper, and damn near sacred. I Did Not Know is a stripped-down Americana sermon that feels like it was recorded in the front pew of an empty church just after sunset. The production? Barely-there perfection. Guitars hum like lullabies. The groove doesn’t push—it leans in, like an old friend with a sad story and a bottle of something strong.
But let’s talk lyrics. Holt isn’t playing the “ain’t love a bitch” card; he’s holding a mirror to himself. This isn’t finger-pointing—it’s soul-searching. “You disappeared like a ghost who’s been wandering for so long,” he sings, every word wrapped in regret and realness. And that chorus? “I did not know all that I know now.” It’s a mantra for every man or woman who’s looked back and realized they missed what was right in front of them. It’s Springsteen’s Tunnel of Love stripped of arena lights and soaked in southern twilight.
https://www.youtube.com/watch?v=LJlCBiZZz1Y
There’s a poetic ache in the verses—like Townes Van Zandt meditating on fatherhood or Kristofferson unpacking his past over morning coffee. Holt sings not just about lost moments, but about the gap between intention and impact. He worked, he provided, he showed up in ways he thought mattered… but didn’t always see the dreams behind the eyes of the one he loved. And now, the only answer is honesty.
Mary Kate Brennan’s background vocals don’t just harmonize—they haunt. Like an echo of what once was, or maybe the ghost he mentioned in verse one. She adds warmth, yes, but also shadows—a voice from the other side of that hindsight chasm.
This single follows Shine and Holt’s Shades of Light LP, further cementing him as one of Americana’s unsung sages. With a worldview sculpted by seven states, rock stages, and a pulpit or two, Holt’s voice—both literal and lyrical—carries weight. Not the heavy kind that burdens. The grounding kind. The type that reminds you music still matters when it’s honest.
I Did Not Know isn’t trying to be a hit. It’s trying to be heard. And in a world addicted to surface-level noise, that might just make it the most rebellious thing you’ll hear all year.
-Chris Cairns
Patricio Morales Releases ‘La Tierra Canta’
Multi-cultural jazz compositions come to life on Patricio Morales’ new album titled ‘La Tierra Canta’. Classical guitarist Patricio Morales combines his Chilean roots with elements of classical, jazz and world. There is a sentimental value here for Patricio because the nine tracks on ‘La Tierra Canta’ were written when Morales was just starting out as a composer. These compositions mean the world to Patricio and are near & dear to his heart making ‘La Tierra Canta’ a very special and reflective listening experience.
Patricio wrote new arrangements for this album and brought in talented players from Chile, Argentina, Columbia, Brazil and Peru. Members include: Patricio Morales on Classical Guitar, Vitor Goncalves on Piano & Accordion, Sebastian De Urquiza on Upright Bass, Rodrigo Recabarren on Drums and Percussion, Rogério Boccato on Brazilian Percussion, Daniel Zamalloa on Mandolin, Kahil Nayton on*Cavaquinho, Pablo Menares on Upright Bass on Track 3 and Juan Andrés Ospina handling Additional Arrangements on Tracks 1, 3, 8, 9. The final result is just magnificent and a breath of fresh air to hear. With a flawless technique in place, Patricio Morales has created something quite remarkable making ‘La Tierra Canta’ one momentous occasion.
The record kicks off with the title track “La Tierra Canta” and right away a highly-spirited and fan-friendly vibe hits you. Colorful and unique dynamics & textures are present making “La Tierra Canta” a standout single. Next, an appealing beat can be heard on “Armando” and like Gloria Estefan once said “Rhythm is gonna get you”. A solid arrangement is intact as “Armando” comes to light in grand splendor making this composition a pure joy to listen to. “Tale Of Tales” is told next and the aura will intrigue your ears with a worldly mystique that is captivating. Track four, “Canción Para Despedir a Emilia”, offers up a dose of silkiness making this an intimate performance overall. A bit of romance is in the air, so light the candles and enjoy “Canción Para Despedir a Emilia”. The musical canvass is picturesque on the following number “Rural Reflections” as Patricio provides a healthy splash of vibrant tones that will inspire you. Track six, “Pa’Pascal”, contains a playful atmosphere that makes for one fun-filled environment. “Pa’Pascal” is like a carnival of sorts with notes that come in all different shapes & sizes, so come ONE, come ALL! Brace yourself for the next composition titled “de Diciembre” that is an emotional journey filled with the utmost sincerity. Patricio is on track and heading in the right direction on “Realismo Mágico”. “Realismo Mágico” is revealed here that will excite and amaze the audience. The tricky rhythmic pattern will keep you on your toes on “Realismo Mágico”, so be alert folks! Patricio ends on a high note with “Keep In Touch” where the welcoming mat is laid out and the listener will feel a sense of comfort surround them. “Keep In Touch” will keep you dialed in with a creative sound & style that many will gravitate toward.
There is a cinematic quality detected at times on this new release, which makes sense since Patricio does have experience with film composition. Also, the accordion and classical guitar combo is so unique and really rattles your eardrums in a good way. Patricio Morales honors his heritage and memories in a most profound way on ‘La Tierra Canta’.
https://patriciomoralesmusic.com/home
By Jimmy Rae
ParaDyce! Presents “Pacific Coast” (ft. Steve Palmer)
Chilled-out jazz licks with synthesized bliss are woven together on ParaDyce!’s aptly named “Pacific Coast.” Rhythms keep things slow, the way they do things on the West Coast. There is something nice about the gait: it emphasizes the crystal clarity of the sound. Everything works, and the melodic richness shifts from instrument to instrument. By keeping things relatively nimble, the song has this airy disposition that rolls through. For the entire thing, a peaceful meditative state emerges. No word is spoken, nor does one need to, to convey the true contentment that the sound represents.
– https://www.amazon.com/Pacific-Coast/dp/B0DYGK3STZ
– https://music.apple.com/us/album/pacific-coast-feat-steve-palmer-single/1798547286
– https://tidal.com/browse/album/420282850
Artist: ParaDyce!
Song: Pacific Coast
Label: JEG Multimedia Group
Produced by Canadian Producer, Eddie Bullen.
The percussive elements take center stage for the first few moments. From there, the rest of the sound comes into view quite quickly. Bass lines are elegant, allowing the low end to feel almost supportive. Little flourishes here and there add to the tactile quality of the atmosphere. Keyboards have a delicacy, giving the songs this R&B quality. Quite expressive, the elements perfectly fall into place. Almost psychedelic at times, the dreamy, glossy finish provides the track with a sense of the infinite. Interplay amongst all the different moments and the slower rhythm dilates the passage of time, making the song feel eternal. Nods to light jazz, rock, R&B fusion like Steely Dan and G-Funk qualities enter into the fray, giving the piece this thick, immersive atmosphere.
“Pacific Coast” features a tremendous soothing wash with ParaDyce! embracing the softest elements of pop and ambient in this perfect mixture.
SOCIAL MEDIA LINKS HERE:
https://www.reverbnation.com/paradyce7
Facebook: Treasures Of ParaDyce!
TikTok: @prodgaig1_2
Journos Delivers ‘The Burning Question’
What do you get when an award-winning journalist/lyricist and versatile punk-rocker join forces? You get the dynamic duo of Bryan Russo and Ryan Abbott tearing up the underground Indie scene! Fresh off the breakout, debut release of ‘In The Key of WTF!’, Journos is back with a vengeance with ‘The Burning Question’. Journos is continuing the momentum by delivering thought-provoking AND party-style jams.
This new album contains 11 songs and each one has its own unique story. Journos can pick up the pace and slow things down at the drop of a hat. When it comes to ‘The Burning Question’, the answer is to know how to have a good time and throw caution to the wind while also being aware of your audible surroundings. That would sum up Journos in a broader nutshell as this group attempts to tackle ‘The Burning Question’ note by note.
Right from the start on the title track, “The Burning Question”, an infectious groove and catchy hook wraps around you. There is a distinct rawness to the texture of “The Burning Question” that is enticing to hear and I even picked up on an Elvis Costello influence. Prepare for a very cool flow and musical direction on “Nowhere To Hyde” where Journos will get you shakin’ & movin’ like there is no tomorrow. A fan-friendly tone will attract a wide audience on “Exception To The Rule” where the listener will also enjoy a pleasing melody. Next, just let loose and have a blast on “Bootleggers Ball” that makes for one jumpin’ & jivin’ joint. On track five, “Full Salinger”, Journos takes a more serious approach with rock-solid material that is musically rich and speaks volumes lyrically. I detect a punk rhythm and tempo on “Noble Cause”, and this really perks me up and gets me pumped. Journos is in total control from the jump with memorable lines like “Love is still the only Noble Cause”. Journos keeps you guessing from a vocal and musical standpoint on “Be Somebody” where a sense of wonder grabs your attention. There is a nice, little surprise on “Be Somebody” where you get a small taste of the guitar chorus line from “Day Tripper” by The Beatles. Get ready to drink it all in and consume “Brand New Drunk” responsibly. “Brand New Drunk” stumbles into your ears and it’s safe to say that this energetic number is full-bodied and heavy on taste & flavor. Track nine, “Don’t Mind Me (I’m Falling Apart)”, offers an easy-breezy feel and flavorful punch of mojo that makes for a wonderful performance overall. Journos supplies a mellow sensation and more of a somber-like tone on “Pieces of Heart”. Journos is reeling you in with waves of emotion on “Pieces of Heart” and this song is beautifully done with nice harmonies. The dynamic duo is going out with a bang on “Unapologetically Yours” where you’ll just want to throw up your hands, twist, shout and rock out to the sweet sounds of Journos.
Combining elements of indie americana, blues and rock, this album is steady ear candy for listeners. ‘The Burning Question’ is set to be released in 2025 on Bob the Organism Records and heavy anticipation for this record. Take a ride on the Journos side and try to figure out what ‘The Burning Question’ is…if you dare!
https://www.facebook.com/wearejournos
https://www.instagram.com/wearejournos/
By Jimmy Rae
Robert Sarazin Blake with ‘Let The Longing Run Wild & Free’
Robert Sarazin Blake is a talented singer/songwriter who has a knack for storytelling and writing songs that relate. His latest release, ‘Let The Longing Run Wild & Free’, is Robert’s 13th album and it runs the gamut of human emotion. Robert throws in a splash of nostalgic charm and allows the listener to think back and recollect about different times in history. Robert Sarazin Blake can tackle heavy issues, but he is able to break it all down in simple terms. ‘Let The Longing Run Wild & Free’ is like a good book that will hold your attention from beginning to end.
This record was produced by Robert Sarazin Blake and features longtime collaborators Cindy Cashdollar on steel guitar, Connor Kennedy on guitar, Lee Falco on drums, Brandon Morrison on bass and Will Bryant on piano & organ. You will also hear Joel Ricci on the trumpet on the track, “Happy Halloween”. Robert and his team have created music that has spirit and evokes many feelings throughout the 8-song set.
As soon as you hit play, the listener will pick up on Robert’s conversational tone on “New York City/Brooklyn Bridge”. Blake tells a vivid story that connects with the general public on “New York City/Brooklyn Bridge”. Next, a slow & draggy pace slides past your ears on “Louisiana” and this tune packs quite a punch musically. Track three, “Disappear”, Robert draws you in vocally & lyrically and captivates you with one strong delivery. Robert Sarazin Blake is singing straight from the heart on “Stayed” and gives a soul-stirring performance that speaks volumes and truly hits you. Robert is drifting along carefully and inviting the audience to take a fruitful ride and to not look back on “Drift”. We are crossing “Bridges” next and everything appears to be sturdy and well-constructed. “Bridges” contains rich substance and makes for one safe & insightful excursion. Track seven, “Listened To You Sing”, peaks your interests and sparks your curiosity immediately. Robert Sarazin Blake has a way of pulling you in with his unique vocal style and displays this approach perfectly on “Listened To You Sing”. Robert ends with a haunting sound on “Happy Halloween” that will leave a lasting impression on the listener.
Robert has toured extensively throughout the United States and abroad and has been a mainstay in the Pacific Northwest since 1996. Roots and folk unite in harmonious fashion on ‘Let The Longing Run Wild & Free’. Robert Sarazin Blake uses his musical canvas to paint colorful notes and gripping verses that appeal to the masses. Add ‘Let The Longing Run Wild & Free’ to your personal playlist now; you won’t regret it!
https://robertsarazinblake.com/
By Jimmy Rae
Professor Louie & The Crowmatix Release ‘Crowin’ Around’
Professor Louie & The Crowmatix is a jam band for the ages bringing a sound and style that is refreshing and invigorating. ‘Crowin’ Around’ is the 18th album for Professor Louie & The Crowmatix and the band has toured the world extensively for over 25 years. Combining elements of rock ‘n’ roll, blues, folk, gospel and jam-band, Professor Louie & The Crowmatix throw everything at you with the kitchen sink included!
‘Crowin’ Around’ is meant to be inspirational, upbeat and uplifting and this group nails it and checks all the boxes in those categories. The record includes 11 songs and each one different from the next. Professor Louie himself has a long history with the one and only The Band collaborating with the group for 17 years. Professor Louie co-produced, engineered and performed on The Band’s final three albums and was a touring member from 1985 to 1999 until Rick Danko’s passing. Rick Danko is actually the person that coined the name Professor Louie and the rest is history! The Band’s influence can most certainly be heard on the new release and so Professor Louie & The Crowmatix is seriously ‘Crowin’ Around’ and giving the fans what they want. Professor Louie & The Crowmatix includes Professor Louie on vocals, keys and accordion, Miss Marie (recorded with Levon Helm, Rick Danko, Garth Hudson) on vocals, percussion and keys, Frank Campbell (Levon Helm’s MD with the Woodstock All-stars) on bass and vocals, John Platania on guitar and vocals, Todd Mihan on guitar and vocals and Dan Hickey (They Might Be Giants) on drums.
The album kicks off with “Elevate Yourself” that has so much energy and is such a lively set from start to finish. You will clap along to the finger-snappin’ beat on “Elevate Yourself” as Professor Louie & The Crowmatix has got you hook, line & sinker and it all sounds oh so good! We’re jivin’ along and about to have “Too Much Fun” next, so just get up and dance! Good times and good vibes make “Too Much Fun” the ideal choice for your listening pleasure. Track three, “Monday Boogaloo”, moves along nicely and will get you moving as soon as you hit play. We’re steppin’ up and steppin’ out to “A Million” making this song a valuable source of enjoyment with excellent musical direction. “Johnny” is the center of attention on the following number and highlighted wonderfully by Professor Louie & The Crowmatix. It’s all about “Johnny” here, so just live and let live! Track six, “Bird’s Lament”, is an instrumental with an intriguing melody and instrumentation that will light up your ears and spark your senses. A cool atmosphere wraps around you on “Rag Mama Rag” where it’s time to cut loose and leave your worries at the door. “Steadfast & True” is up next and this is simply a gem of a song with golden lyrics that truly stand out. “Steadfast & True” supplies inspiring lines like “We’re all brothers, all sisters too” and “Stand up for eachother, what a family will do”. A jumpin’ & jivin’ joint is rolling your way with “Stick To The Plan” where the toe-tappin’ rhythm will get you pumped up and bring you much joy. Next, a bluesy tone is hitting you hard on “Watch The River Flow” where the listener will be fully engaged to every single note & lyric thanks to a commanding performance overall. Professor Louie & The Crowmatix gives you “A Different Christmas” to end the album in a spiced-up fashion. The listener receives “A Different Christmas” cheer with a jam-band twist that’s packaged very well.
Professor Louie & The Crowmatix came to play and entertain, and I feel this band will be ‘Crowin’ Around’ for a very long time. Professor Louie and Miss Marie have written and published over 100 songs to date and this recording should receive a gold star of excellence for its fine songwriting. The performances will move you and get your blood pumpin’ as Professor Louie & The Crowmatix brings the groove in full force on ‘Crowin’ Around’.
https://www.woodstockrecords.com/
By Jimmy Rae
Nuke The Soup with ‘Dancing On The Edge’
I heard Nuke The Soup years ago and was instantly a fan! This band had such a contagious vibe with a signature sound that I immediately gravitated toward. I can honestly say Nuke The Soup didn’t miss a beat and if anything got better with time on the new release titled ‘Dancing On The Edge’.
This new record was produced by Grammy-winner Kevin Killen (U2, Peter Gabriel, Elvis Costello) and Gerry “Spooky Ghost” Leonard (David Bowie). The album features established musicians, including bandleader Mark Davison, keyboardist Brian Simms, guitarist Gerry Leonard, bassist Mike Mennell, and drummers Chester Thompson and John Thomakos. ‘Dancing On The Edge’ includes 11 songs and each one has its own identity. The rock & roll spirit is there with killer melodics to boot making this album a must listen and must have!
“Biggest Storm” kicks things off and it’s safe to say an infectious hook is brewing right out of the gates. Catchy notes and just a super cool sound is pouring out of your speakers making “Biggest Storm” a powerful start. It seems “Everybody’s Working” on the next number and Nuke The Soup can do no wrong! I’m feeling this one and its pleasing vibe as you will want to sing along to “Everybody’s Working” whether you like it or not. Get ready to “Jump In” because Nuke The Soup is all charged up and ready to go! “Jump In” is the flavor of the day that will delight your musical palette with its delicious taste. Track four, “Lost On You”, supplies an emotional tone & touch that grabs you and keeps you engaged throughout the entirety of the song. Nuke The Soup is guiding you along on “House Lights” where nothing can be detected as dim or dull here. Nuke The Soup is lighting up your ears & mind with a comforting sensation that engulfs you from head to toe on “House Lights”. Nuke The Soup is in the driver’s seat, in control and driving it home with conviction on “I Ride Alone”. An enriching and satisfying journey awaits you on “I Ride Alone”, so just buckle up and enjoy the ride. Lessons are learned and lives are affected as we listen attentively to “My Angel Does”. We are moving on and heading in a “Positive Direction” next where everything flows along perfectly and the audience witnesses musical precision. Nuke The Soup is serving up a sunny side up tune that will perk up your senses on “Big Wave Dave”. Catch all the musical rays and soak in the goodness as “Big Wave Dave” is shining bright and making a BIG splash with listeners. I can see “Big Wave Dave” hitting the airwaves and getting a ton of traction due to its likability factor. Track 10, “Turning of the Tide”, is melodically sound, so jump on it because the water’s fine! We don’t have all the answers, but we can certainly live and let live and love life, so just sit back and ease your mind to the relaxing sounds of “Turning of the Tide”. Nuke The Soup is going out with a bang on the title track “Dancing on the Edge”. An incredibly catchy hook will appeal to many on “Dancing on the Edge” making this a standout track, so why not take it for a spin!
These songs come from a special place and especially personal to bandleader Mark Davison. This record was written and recorded during a span of two years and during a time when Mark lost both his parents. It goes to show that even out of sorrow and heartache, something beautiful can still manifest itself and that is ‘Dancing on the Edge’ in all its glory.
By Jimmy Rae
The Mezcaltones Presents ‘Big Hat No Cattle’
The Mezcaltones present their latest album called ‘Big Hat No Cattle’. On March 7th, 2025 the talented band out of Sydney, Australia shocked and astonished the music scene with an appreciable and pleasurable record. ‘Big Hat No Cattle’ contains a heavy amount of gratifying sensation and color, while staying innovative and creating a soundscape of Hillbilly and Surf music. Somewhere in between Alternative Country, Roots, Rockin’ Blues, and Surf Guitar, ‘Big Hat No Cattle’ manages to stay original, extraordinary, genuine, distinctive, and proves to create an attractive world of its own.
https://ffm.to/tmbighatnocattle
‘Big Hat No Cattle’ consists of nine beautiful and rockin’ tracks, filled with diverting instrumentals and untamed sounds. It’s fair to say that The Mezcaltones’ latest record is influenced by many of their treasured artists, including Lucinda Williams. The staggering record was recorded at Damien Gerard studios in West Gosford along with the engineering brain called Andrew Beck. ‘Big Hat No Cattle’ was mixed by Russell Pilling, mastered by William Bowden, and produced by the Mezcaltones.
‘The Drop In’ is the first track on the record and it almost has a cinematic sound to it. ‘City Lights’ is very reminiscent of ‘Daisy Jones and the Six’. The third track is called ‘Easy Come, Easy Go’, and it’s a song where it almost feels as if Elvis Presley and his 70’s Las Vegas band is jamming along somewhere in a southern bar. With tracks like ‘Can’t Let Go’ and ‘The Missing Link’, The Mezcaltones establish themselves as one of the most alluring and authentic bands today.
The Mezcaltones continue to sculpt out their own empire in the Hillbilly Surf music scene. ‘Big Hat No Cattle’ stands as an exemplification to the band’s ability to blend old school influences with a modern and victorious sound. ‘Big Hat No Cattle’ is out now and it promises to be a sensational and lively record for all music lovers.
https://www.the-mezcaltones.com/
https://www.instagram.com/themezcaltones/
Flippin’ Gothic Fabp Live at The Under St Marks Theater Open Mic
One of New York’s finest from the underground hip-hop world is coming to you live! Flippin’ Gothic Fabp can rap for days and proves it at The Under St Marks Theater Open Mic in NYC. This is a recent performance in 2025 and showcases Fabp as one fresh rapper on a mission to put underground, NY rap on the map!
I’ve had the pleasure to review Flippin’ Gothic Fabp many times over the years and his growth as an artist has been quite impressive. Fabp is relentless when it comes to spillin’ dope rhymes and droppin’ tight beats. I know, for a fact, that Flippin’ Gothic Fabp has been working extremely hard to perfect his craft. Flippin’ Gothic Fabp has the drive and fighting spirit to make it big in the music biz. Mr. Fabp was putting on a clinic to all the fine people in attendance during Open Mic night at The Under St Marks Theater.
I recall Freestylers and the album ‘We Rock Hard’ from the 90s and how impressed I was with the mic skills. Flippin’ Gothic Fabp proves that he is a freestylin’ pro himself and can rock the mic with the best of them! With a sick flow and slick beats, Mr. Fabp is a legitimate MC who just can’t quit! This live performance is raw and unfiltered as Flippin’ Gothic Fabp is a man with a plan and in control from the jump. Fabp is in the zone and feelin’ it throughout the live set and not holding back an ounce. With a gritty approach and creative style, Flippin’ Gothic Fabp represents Queens and doin’ it up BIG the New York way!
Just as Beastie Boys once said, “Bringin’ back that old New York rap,” Flippin’ Gothic Fabp looks to do much of the same from the underground scene. It’s time to hit the L train and enjoy the subterranean world of Flippin’ Gothic Fabp. Fabp is a rap ninja slicing & dicing his way through the competition one day at a time. The Flippin’ Gothic Fabp is available for Open Mic’s, Talent Shows, Music Showcases, Day Jams & Amateur Night Events in the New York City area.
Be sure to SKOPE out Flippin’ Gothic Fabp Live at The Under St Marks Theater right here: https://www.youtube.com/watch?v=tnrEFKf-Jks.
http://www.X-CaladePromotionz.com
http://www.instagram.com/therealfabp
http://www.X.com/therealfabp
By Jimmy Rae
Kathy Sabol Presents ‘The Great Divide’
Kathy Sabol presents her latest album called ‘The Great Divide’. On August 30th the talented singer songwriter from Pittsburgh, PA surprised and astonished the world with a new and profound record. ‘The Great Divide’ delivers an evocative feeling and touch, yet it stays innovative and spawns a soundscape of modern and cinematic music. Somewhere in between pop-rock, intense orchestrations, and touching ballads, ‘The Great Divide’ manages to stay original, immeasurable, heartfelt, unique, and proves to create an interesting world of its own.
‘The Great Divide’ is a 16 track roller coaster ride, filled with extensive emotions and cavernous sounds. The album is written by Kathy Sabol, and performed by Kate Denman and Vincent Byrne. The project mirrors a heartbreaking tale of relationship, disloyalty, and the burdensome road towards relief and mercy. It is important to note Kate’s alluring vocals and Vincent’s wide-ranging styles. ‘Satellite’ is the first track on the record and is filled with heavy rock, upbeat catchiness, and powerful guitar riffs. It definitely makes sense why this is the opening track on ‘The Great Divide’. Another notable tune is the ocean-like piece called ‘The Wheel’. The track carries a disconsolate and sorrowful sound, along with affecting vocals, and painful violins. The titled track is the seventh song on the record and it’s instantly moving, as the orchestration behind it is quite staggering and startling. ‘Back to School’ is a groovy and dandy track that’ll make the listener even want to return to school, as it’s full of high energy and cheerful instrumentals.
Kathy Sabol continues to build her own kingdom in the music scene. ‘The Great Divide’ stands as an example to the artists’ ability to intertwine significant musical influences with a new triumphant sound. ‘The Great Divided’ is out now and it guarantees to be a magnificent and awe-inspiring record for all music enthusiasts.
Jake Hertzog Brings You ‘Ozark Concerto’
Jazz and orchestra music unite in harmonious fashion on Jake Hertzog’s latest release titled ‘Ozark Concerto’. Hertzog designated these pieces for jazz orchestra, guitar and string quartet and the result is magnificent! ‘Ozark Concerto’ is split up into seven parts and each composition tells its own unique story.
This large-scale project includes Jake Hertzog on guitar with conductor Susumu Watanabe and The Ozark Jazz Philharmonic. There is also a talented cast of instrumentalists on this record and each member brings interesting dynamics to each piece. Jazz meets classical in a most profound and beautiful way on ‘Ozark Concerto’.
A very robust presence and a vast universe of sound can be heard on the opening number, “Part I”. A big burst of energy hits you right from the beginning on “Part I” as Jake Hertzog and his musical accompaniment explore many elements. Get ready for an enticing melody and catchy chords on “Part II”. Next, a striking beat, tempo & tone instantly sparks your eardrums on “Part III”. The musical direction is just superb on “Part III” and can be called a star-studded production! All players are coming together brilliantly on “Part III” to produce one magical performance for the ages! “Part IV” is short but sweet but evokes much wonder in 2:37 thanks to masterful instrumentation and top-tier orchestration. Next, Jake Hertzog & company are taking you on a thoughtful journey on “Part V” where the plot is thickening and the road less travelled is full of wonderful surprises. The project ends on an extremely high note with “Part VII” with an elegant touch and perfect orchestration. A fantastic finale can be heard as Jake Hertzog and his talented cast bring it all home with style & class.
A standing ovation and a bravo are merited by the end of ‘Ozark Concerto’. Jake Hertzog takes the art of music to another level with this release by highlighting assorted styles and instruments. There is a distinct rhyme & reason behind the making of this seven-part album and it’s one invigorating experience to say the least. This project wouldn’t be possible without the generous grant from the South Arts Organization, funded by the Doris Duke Foundation and the Andrew W. Mellon Foundation. ‘Ozark Concerto’ is a true masterpiece for today and deserves the utmost respect and recognition.
https://zohomusic.com/cds/hertzog_ozark.html
By Jimmy Rae
ROBriseonbelief Presents ‘When Susie Puts On Her Makeup’
A wild, celebratory side of Rob RISE on BELIEF goes for a punchy, muscular hit with “When Susie Puts On Her Makeup.” The sound should be played as loudly as possible, with the song going for pure physicality. This arena-filling atmosphere virtually invites the listener to sing along. Beyond the love of lyricism, the guitar riffs have this late-70s era quality, going for something quite classic. Classic rock, pop, arena rock, there’s a glam rock aesthetic that feels doubly joyous.
He wastes no time getting started, as the group dives headfirst into the groove. It feels fantastic, liberating even. The rhythm section does exceptional work propelling the rest of the song, highlighting the sheer strength of the riffs. Everything has a catchiness, with the song celebrating how the protagonist will make it, to stun and surprise everyone. Such a heartfelt message is full of love, and the lyrics have a mantra-like cadence. The evolution of the sound gives it an inclusive quality, with the many different flourishes coming together in this colorful, kaleidoscopic fashion. Production-wise, they keep things crisp, magnifying every detail within the arrangement. For the final stretch, everything comes together in this rush for the finish, as the instrumental interplay brings things to a close.
“When Susie Puts On Her Makeup” is a joyous blast from the past, as Rob RISE on Belief takes notes from rock’s history and tweaks it for this moment.
https://www.instagram.com/robriseonbelief/
https://music.apple.com/us/album/when-susie-puts-on-her-makeup-live-single/1619695592
https://music.apple.com/us/album/bright-fame/1631778824
Kelly Monrow On FIRE with “Wounds”
Kelly Monrow is a multi-talented artist who fully exposes “Wounds” for the whole world to experience. There’s a sincere purity to Kelly’s voice that truly stands out and captivates the audience. “Wounds” is Kelly Monrow’s latest single and this new release is rich in substance and one buzzworthy gem.
Kelly Monrow is originally from Austin, Texas and now resides in Paris, France. She has a background in acting and modeling and Kelly has been featured on hit tv shows like “Billions”, “Lucifer” and “American Crime Story”. With a career as an actress, this creativity has helped shape the singer/songwriter you hear today. Kelly Monrow is the real deal and “Wounds” cuts deep!
This new track is remastered by Tim Palmer who is a successful and well-known sound mixer and producer. With Tim’s help, “Wounds” is a high-quality recording and delivered flawlessly by Kelly Monrow. By way of pure emotion, potent lyrics and piercing vocals, Kelly Monrow opens up and conceives “Wounds”.
Kelly gives a sublime performance on “Wounds” and proves to be a vulnerable artist by wearing her heart on her sleeve. Kelly Monrow is digging deep here musically as “Wounds” is born and comes alive verse by verse. Kelly has an enchanting and distinct voice that pulls you in immediately. “Wounds” is an emotional rollercoaster with plenty of twists & turns that will keep the listener engaged. Kelly Monrow provides a passionate performance and full-bodied sound that connects with people on “Wounds”.
Kelly taps into something special here with sensitive material that comes from deep within oneself. Kelly Monrow displays beautiful artistry on “Wounds” proving that this song is a cut above the rest. Dive into “Wounds” and listen as Kelly moves you from start to finish. Kelly Monrow is a stand-out singer/songwriter and her sincerity shines through on the highly-anticipated single, “Wounds”.
Photo Credit: David Dao
https://www.instagram.com/kellymonrowdowdle/
By Jimmy Rae
Ranzel X Kendrick Presents ‘Backpacking’
Ranzel X Kendrick shocks the folk scene again with his latest single called ‘Backpacking’. The talented singer-songwriter carries the listener into an extraordinary and illustrious musical experience unlike others. ‘Backpacking’ feels and brings an original, immeasurable, and infectious touch, yet it stays innovative and generates a soundscape of modern indie folk and pop rock sound. Somewhere in between Tom Petty, The Beatles, Robert Plant, ‘Backpacking’ manages to stay unique, spectacular, positive, and proves to create an impressive world of its own.
‘Backpacking’ is quite unique and astonishing as Ranzel X Kendrick smoothly incorporates pop rock and independent folk. ‘Backpacking’ instantly allures and captivates the listener from the start with its nostalgic harmonica, wonderful guitars, charming bassline, and steady percussion.
The track not only portrays the artist’s elevated production quality, but also the skill to maintain himself inventive and original every single time. It’s almost as if all the music eras somehow perfectly met in the middle and came together to deliver ‘Backpacking’. Ranzel X Kendrick’s single definitely carries a classic sound to it, but it also presents an authentic and modern sensation. The track will literally make the listener want to pack their backpack, get off the road, and find some peace of mind somewhere nice. Ranzel X Kendrick creates a happy, upbeat, energetic, and feel-good atmosphere with his beneficial and retro vibes.
Ranzel X Kendrick’s newest single is a flawless reflection of the musician’s traveling soul and monumental vocal ability. Ranzel X Kendrick continues to sculpt out his own space in the folk scene. ‘Backpacking’ stands as a true example to the musician’s ability to blend real life experiences with a modern and alluring sound. ‘Backpacking’ is out now and it promises to be an optimistic, captivating, and memorable track for all music enthusiasts.
ONLINE:
https://www.ranzelxkendrick.com
https://www.facebook.com/RanzelXKendrick
WDR Big Band with ‘Bluegrass’
When you merge two ingredients together to make up one appetizing product, that is exactly what WDR Big Band has done with its latest release. This new project is titled ‘Bluegrass’ and includes elements of traditional bluegrass and orchestral jazz music. The end result will have your senses running wild from start to finish!
‘Bluegrass’ is directed by Bob Mintzer who also plays saxophone and handles electronic wind instruments (EWI). The album also features Mike Marshall on mandolin & guitar and Darol Anger on violin. The WDR Big Band includes a talented group of musicians and they are: Wim Both, Ruud Breuls, Andy Haderer, Martin Reuthner on the trumpet, Ludwig Nuss, Tim Hepburn, Andy Hunter, Mattis Cederberg on the trombone, Johan Hörlén, Karolina Strassmayer, Jeremy Powell, Paul Heller, Jens Neufang on sax, John Goldsby on bass, Dominik Raab on drums and Billy Test on piano. Together, WDR Big Band creates a sound that is invigorating and it will excite listeners everywhere!
“Slip and Slide” is up first and immediately a whirlwind of melodies surrounds you with pristine instrumentation & orchestration. By way of a wonderful arrangement and performance, WDR Big Band is kicking things off right with “Slip and Slide”. Next, pleasing notes are flowing up & down “Yew Piney Mountain” that makes for such a lively scene overall. On track three, “Down in the Willow Garden”, vibrant notes are sprouting up and the seeds are planted deep within your ears. There is such a distinct richness in place on “Down in the Willow Garden” that will grow on you with its hearty & healthy hook. It’s time to march onto the “Green Lawn” where WDR Big Band came to play and showed up and showed out! “Green Lawn” cuts through perfectly from a musical standpoint with its fresh & enriching sound. Prepare to take a spiritual stroll with “Emy in the Woods” where every inch is filled with sheer wonder & surprise. “Emy in the Woods” provides colorful textures and vast & bright textures that makes for one enjoyable listening experience. WDR Big Band is simply on fire on “Replace It All” where the group delivers a spectacular, star-studded production that is tasteful & flavorful. We now go “In the Lion’s Den” where the environment is quite tame and everything is under control. It’s safe to say that “In the Lion’s Den” is roaring with smart restraint and precision proving that WDR Big Band can soothe the savage beast. Get ready to dance a jig with “Dexter” where the energy level is high and everyone’s just having a good time. WDR Big Band goes out in style on “Borealis” where delightful improvisations will light up your eardrums.
‘Bluegrass’ and big band jazz unite to create a style that is both invigorating and original. WDR Big Band brings outstanding solos and excellent musical direction that makes this release an instant success. Just press play and prepare to have your mind blown with WDR Big Band’s ‘Bluegrass’ leading the charge!
https://www1.wdr.de/orchester-und-chor/bigband/
https://www.facebook.com/watch/?v=1143299783503689
www.mcgjazz.org
By Jimmy Rae
The Heard Eye Presents ‘All Love’
The Heard Eye surprises the music scene with their latest single called ‘All Love’. The band released the magical and intricate track on Valentine’s Day, February 14, 2025. ‘All Love’ feels and brings an evocative touch, yet it stays fresh and creates a soundscape of modern rock.
Somewhere in between funk, jazz, Latin, and world music, ‘All Love’ manages to stay original, unique, alluring, moving and proves to create a wonderful world of its own.
‘All Love’ is an upbeat and enjoyable groove intertwined with an infectious melody and positive energies. It is said that Paul Schneider (all around musician) unexpectedly heard the song in a dream, woke up, and brought the magic to life. Along with Hannes De Kassian (guitarist), Chris Studer (Keyboardist), Greg Dunn (bassist), and Atma Anur (Drummer), ‘All Love’ became a dream come true.
The Heard Eye’s latest tune showcases the band’s distinctive gift to blend funk and rock all into one. ‘All Love’ almost sounds as if the late 90’s and early 2000’s met right in the middle and gave birth to a whole new and delightful musical land. Paul Schneider’s vocals may remind the listener of late Stone Temple Pilots’ vocalist Scott Weiland. The acoustic guitars and electric guitars successfully complement each other, along with the crispy drum work, and the intense driving bass line. ‘All Love’ truly portrays the band’s distinctive, passionate, and moving musical strengths.
The Heard Eye continues to sculpt out their characteristic sounds in the rock world. ‘All Love’ stands as an exemplification to the artist’s ability to encompass musical excellence with a memorable and spiritual message. ‘All Love’ is out now and it is guaranteed to be a popular, captivating, and magnificent single for all music enthusiasts.
ONLINE:
https://theheardeye.com/
https://www.facebook.com/theheardeye/
Seewolf (NL) Presents Debut Album ‘A Bounce Of Grace’
Seewolf presents their debut album called ‘A Bounce of Grace’. On March 28th the talented band from the Netherlands shocked and surprised the world with a new and nostalgic record. ‘A Bounce Of Grace’ delivers an evocative feeling and color, yet it stays fresh and generates a soundscape of modern and cinematic indie rock. Somewhere in between Pink Floyd, The Veils, Syd Arthur, Interpol, The Doors, and Motorpsycho, ‘A Bounce Of Grace’ manages to stay original, magical, enchanting, unique, slightly psychedelic, and proves to create a profound world of its own.
‘A Bounce of Grace’ is a perfect reflection of what the vivacious and lively band brings to the table. Seewolf’s debut album is an alluring piece of work where the band gives the world seven creative, mind-expanding, and contemplative tracks. With Dolf Kuiken (vocals, guitar), Willem Bijma (guitar, keys), Bram Welbedacht (bass guitar), and Joop Visser (drums), Seewolf delivers sensational and staggering numbers on this record.
The first track ‘Someday’ is haunting, trippy, and otherworldly. It’s almost as if you’re hearing a modern Pink Floyd play live at Pompeii. The second number is the titled track, which is filled with dreamy and intricate guitar work, exceptional vocals, and passionate jamming from the band as a whole. ‘Moonwater’ is a masterpiece where Seewolf delivers a delightful instrumental. With tracks like ‘Odyssee’ and ‘Wild Winds’, Seewolf has established themselves as one of the most distinctive bands in the scene.
– https://skopemag.com/2025/03/28/debut-album-by-seewolf-nl-a-bounce-of-grace
Seewolf continues to sculpt out their own space in the rock world. ‘A Bounce of Grace’ stands as an example to the band’s ability to intertwine great musical influences with a new successful sound. ‘A Bounce of Grace’ is out now and it promises to be a breathtaking and perplexing record for all independent rock enthusiasts.
Link to Instagram: https://www.instagram.com/seewolfmusic
Link to Facebook: https://www.facebook.com/seewolfmusic
Website: https://www.seewolf.nl
