Shab’s ‘LIPSTICK’: The Power Anthem Painting Pop With Confidence 

Nothing says “pick-me-up” quite like the swipe of your favorite lipstick – much like the shiny, ’80s pop-fueled glitz and glamour of SHAB’s aptly titled hit, ‘LIPSTICK.’ Predicted to make its way into the U.S. Top 40, this summer anthem is more than just a radiant, disco-pop party that lingers in your mind for days; it’s a powerful reminder to step into your confidence, embrace femininity, and express your strength and beauty without apology.

On the surface, ‘LIPSTICK’ is an infectious track with rhythmic grooves, harmony-laced melodies, and a sense of playful pastiche. But beneath the shimmering production lies the same heartfelt call for self-love that powered her critically acclaimed ‘ONE SUITCASE.’ Rich with vibrant color and as timeless as a Charlotte Tilbury nude, it’s the perfect soundtrack to celebrate beauty this National Lipstick Day.

Lipstick has long symbolized individualism and pop culture – beginning in Ancient Egypt, evolving through the 19th century with the birth of the modern formula, and reaching its pinnacle today as a bold emblem of empowerment. It’s more than cosmetic; it’s a statement.’ LIPSTICK,’ in both name and sound, captures this spirit flawlessly, reflecting SHAB’s ongoing advocacy for women’s rights and her remarkable journey as a refugee who has fought to live freely and authentically.

With her unique ability to fuse female empowerment and lived experience into poetic lyricism, SHAB has crafted a track that’s as emotionally resonant as it is irresistibly catchy. LIPSTICK is not just a celebration of beauty: it’s a radiant call for anyone ready to reclaim their voice.

Watch Video For ‘LIPSTICK’

Festival Guide: Last Minute Festivals [Aug/Oct]

Reggae Land
The UK’s biggest Reggae Festival returns in 2025

National Bowl, Milton Keynes

August 2nd-3rd
Website | Facebook

Reggae Land 2025 is set to be a vibrant celebration of reggae music and Caribbean culture, taking place on Saturday, August 2nd, and Sunday, August 3rd, 2025, at The Milton Keynes National Bowl. Over the years the festival has featured performances from renowned artists, including Gyptian, Chronixx, and Capleton, promising an unforgettable experience for reggae enthusiasts.

Les Plages Électroniques 

Les Plages Électroniques are back for their 18th edition, ready to break records once again

Cannes, France

8-10th August

Website | Instagram | Facebook

After three sold-out days in 2024 with 60,000 attendees, 90 artists and performers, and countless hours of live music still resonating on the beach of the Palais des Festivals in Cannes, the Les Pages Electronique has unveiled the first names for its line-up—all set to perform on the festival’s Main Stage.

Artists Include: Charlotte De Witte, Eric Prydz, Peggy Gou, Tiësto, Booba, Luidji, Francis Mercier, Jersey, Kungs, Purple Disco Machine and more.

Panorama Festival

Panorama Festival isn’t just about music – it’s about framing unforgettable experiences in extraordinary places

Puglia, Italy

14-16th August

Website | Tickets | Instagram

Panorama Festival is a visionary celebration of electronic music, art and sustainability in Southern Italy’s most iconic natural amphitheatre and it returns for its fourth edition from August 14–16, 2025.  The magical three day event transforms Cave del Duca into a world-class setting for immersive experiences in the limestone heart of Lecce, Puglia, with a mix of heavyweight international names, emerging talents and plenty in between all set to play.

Artists Include: Peggy Gou, Black Coffee, Solomun, Marco Carola, Mochakk, PAWSA and more.

Rototom Sunsplash

Europe’s biggest reggae festival celebrates its 30th edition with its biggest line-up yet

Benicàssim, Spain

16th – 23rd August

Instagram | Website | Tickets

‘Celebrating Life’ is the theme that will define the 30th edition of super-sized international reggae festival Rototom Sunsplash, taking place from 16 to 23 August 2025 in Benicàssim, Spain. This eight day extravaganza is the largest reggae festival in Europe, boasting 18 zones of music, wellness and cultural activities plus a reggae university to educate about the culture and so much more.

Artists Include: Shaggy, Burning Spear, Tarrus Riley and more

Mysteryland
For the last 31 years, Mysteryland has been one of the leading electronic music festivals in The Netherlands

Haarlemmermeer (near Amsterdam), The Netherlands

22nd – 24th August

Website | Instagram | Facebook

Mysteryland is a colourful collaboration of artists, DJs and creatives, considered to be the leading electronic music festival in The Netherlands. Situated in between sparkling ponds, rivers, and forestry hills of the Floriade terrain near Amsterdam, the festival welcomes more than 125,000 attendees from over 100 nationalities. The festival covers all genres within the spectrum of electronic music.

Artists include: Adriatique, Eric Prydz, Fisher, Hardwell, Oliver Heldens, Indira Paganotto, Marlon Hoffstadt, Patrick Mason & more

NIBIRII Festival

The legendary Bootshaus Cologne (Germany’s #1 Club – DJ MAG 2024) brings back its electrifying three-day festival, NIBIRII to a stunning lake setting in Düren

Düren, Germany

22nd – 24th August, 2025
Website | Tickets | Instagram

NIBIRII Festival, promoted by the iconic Bootshaus Cologne, is Germany’s most essential weekender for GOA, Techno, and D&B fans, returning on August 22–24, 2025. With 60,000 people and over 100 acts, it will take place on over four stages across three days at the stunning Dürener Badesee in Düren.

Artists include: Andy C, Delta Heavy, Bou + B Live 247, Camo & Krooked, Friction, Harriet Jaxxon, Andromedik, Reaper, A Little Sound, 1991, & Arcando.

BEONIX Festival

Expect warm Mediterranean weather, crystal-clear waters, and the opportunity to explore the rich history and culture of Cyprus by day, before dancing the night away to world-class DJs.

Limassol, Cyprus

19th – 21st September, 2025

Website | Tickets | Instagram

The highly anticipated BEONIX Festival returns to Cyprus this September, bringing a stellar lineup of electronic music talent to the island. Set to take place at the ETKO venue in Limassol, BEONIX continues to cement its reputation as a must-attend event for electronic music lovers. Despite being a relatively young festival – this marks only its fourth edition – BEONIX has already made waves in the electronic music industry.

Artists Include: Adriatique, Anfisa Letyago, Dubfire, Avision, Carlo Lio, David Moreno, James Zabiela, LNTX, Saraga, Spartaque, Tania Vulcano, Xavi Emparan, and Yulia Niko

Blacklist Festival

Germany’s leading bass festival Blacklist is back at the mighty Turbinenhalle in Oberhausen

Images | Artwork

11th October, 2025

Turbinenhalle in Oberhausen

Website | Tickets | Instagram

Oberhausen’s Blacklist Festival is unique in Germany as the only festival that caters to real bass heads. It is a tasteful and in-the-know celebration of sounds across the low end spectrum for fans in Germany but also across Europe. It has become the biggest brand for bass culture in Germany and hosts scene-leading shows of the highest caliber. It now boasts a community loyal to the core and its own unique take on bass culture that always comes to the fore.

Artists Include: Black Tiger Sex Machine, Born Global, Code: Pandorum, DJ Snake presents: The Outlaw

Varun Sheel Unveils Genre-Defying Indie Pop Gem with ‘Cool Like You’

Boston-based artist Varun Sheel returns with ‘Cool Like You’, a shimmering indie pop single that blends infectious grooves with introspective depth. Laced with disco-tinged guitars, crisp 808s, and hook-heavy vocals, the track explores the emotional toll of self-erasure in the name of love and belonging.

Known for his fusion of Bollywood melodies, Western pop structures, and diasporic nostalgia, Sheel continues to carve a singular sonic identity. Rooted in a classical Indian vocal upbringing and sharpened by self-taught guitar prowess, his music bridges cultural and stylistic worlds with remarkable cohesion.

Following acclaim for previous singles like ‘More Than Friends’ and ‘Over You’, ‘Cool Like You’ reaffirms Sheel’s place among rising indie pop talents. Both emotionally resonant and dancefloor-ready, it’s a compelling listen for fans of genre-blending, globally informed pop.

Emotional Equations and Quiet Implosions: Peter Donovan’s ‘Scientific Crimes'”

By all rights, Scientific Crimes should be a clinical dissection of love gone wrong; but Peter Donovan, Seattle’s quietly magnetic songwriter laureate, turns what could’ve been a thesis into a heartbreak ballad that feels more like a bruise; tender, slow to fade, and impossible not to press on.

Donovan’s gift has always been his ability to wring human ache from the everyday; he’s a songwriter who sees metaphor in malfunction, who knows that emotional wreckage is best told in snapshots, not sermons. Here, he gives us a breakup song that doesn’t explode so much as it unspools, quietly unraveling like thread slipping through fingers. The phrase “scientific crime,” borrowed from an overheard bus breakup, anchors the track’s emotional thesis: trying to rationalize the irrational, to map grief with logic, to chart a heartbreak like an equation gone wrong.

Musically, it’s classic Donovan; literate but never showy, rootsy without leaning on clichés. The arrangement builds gently: Charles Wicklander’s electric piano twinkles like satellite debris; Eric Vanderbilt-Matthews’ synths hum with melancholy; and Donovan’s own acoustic strums keep everything grounded. Aimee Lefkowicz’s harmony vocals add a welcome ache, echoing like the voice in your head that asks, “What if?”

There’s something almost cosmic in the way Donovan writes about endings, stars collapsing in on themselves, gravity failing, laws of motion turning cruel. Lines like “it defies all logic, it’s a scientific crime, but forever’s not forever sometimes” feel like thesis statements for the human condition; a world where entropy always wins, no matter how carefully we draw the charts.

If his 2025 concept album Community Theatre proved Donovan could build a Broadway-worthy narrative arc, Scientific Crimes reminds us he’s just as devastating when he zooms in on the quiet implosions. There are no villains here, no screaming matches, no grand betrayals; just the slow, silent drift between two people; a heartbreak rendered not as a meteor strike, but a planetary shift.

For fans of Conor Oberst, early Wilco, and anyone who’s ever tried to turn pain into poetry, Scientific Crimes isn’t just a song; it’s a study. A gentle, devastating case file on how we try (and fail) to make sense of the things that break us.

Poignant, poetic, and profoundly human; Donovan delivers one of his finest works yet.

SOCIALS:
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PHOTO CREDIT: Nikki Barron

SO-LAR, YC Beatz Release “Titan”

SO-LAR is a native of Bridgeport Connecticut & has become known as a highly skilled artist to watch for with three studio albums in streaming services to date. The rapper has become the first CT artist to be produced by Grammy award winners Cool n Dre who’re responsible for hits like Fat Joe’s 2x platinum “All The Way UP”. The Miami duo produced a song called “A Whole Vibe” on the rappers’ latest project “Chestnut X James Street”. SO-LAR was recently featured in Krush Magazine’s upcoming K Slay tribute edition and was given the cover of issue #2 “CT Live Magazine”. Besides being the owner/founder of CCE Records Music Group the rapper also owns CCE Transport LLC & Young And Affluent Life apparel.
When I got the track from YC Beatzo I knew I wanted to record a hyped up aggressive type of song. Once I recorded the record we had to figure out visuals to match it. So through a few searches on the Internet I found the neon basement located in southside Jamaica Queens where 50 Cent grew up. It was the perfect match so I teamed up with my long time video director Ken Honore. We probably were at the location for maybe three hours and we did about maybe 20 to 30 shots throughout the different parts of the Neon basement, edited it and we released it! The video received a lot of good reviews throughout my social media and a lot of good feedback from everybody that I sent it to and they shared it as well. Between the bright colors, the intensity of the song, the wardrobe changes, the constant movement, it matched the record exactly and that’s what we set out to do!
Since I teamed up with Miami super producers Cool and Dre in 2022 when I recorded the Chestnut X James Street album I was able to get another song produced by Cool and Dre. I will be releasing a new album called The Dreamz Project in mid August which is an RnB \AfroRap type of album which has a variety of songs geared towards women. As the listening session for this album approaches, I anticipate a good crowd and so far the responses have been tremendous with the people that I let listen to some of the new songs. Merch will be available for this album, visuals and show dates will be announced!

Watch

“Titan”

below or on YouTube

SO-LAR - TITAN (Official Music Video)

SONG LYRICS- “Titan”

Intro : Sayyy say man it’s dat Big God energy So Da God by way of Bridgeport USA – im locked in wit YC Beats out in the UK

I see too many so called goats that ain’t valid. I’m in my Titan era

Young And affluent Life YC Let me talk

1.  I’m not the same I’m not any artist nigha imma titan AmG on the trunk carbon fiber piping

2.  VVS in my Cuban told my jeweler Ice it , diamond chain wit my name i see da bitches like it

3.  Dope I sold knocked em out was like i was sellin Tyson, made it out da trenches snitches almost had me lifin

4.  This is how you level up this is how you heighten , imma Titan (sayyy) (whuhhh)

1.  The Streets showed me three things how to buy it whip it supply it, had the feigns noddin slurred speech they remind me of Biden

2.  Got em high as zip lining in the clouds with the pilots, stashed my first band in Nike box young wild & excited

3.  Kyrie of rhyming peep my footwork slidin and gliding nighas throwin shade tryna block the daylight when you shining

4.  Sets was bangin I was neutral coulda died inna riot , so when you shake my hand just know I survived an asylum

5.  I’m Tokyo drifting Mercedes AMG’s take it from me it’s exhilarating it’s a high when you drive it

6.  SO the God this GOAT talk i got to be mentioned gold medaled my piece holdin the torch this is not the Olympics

7.  Gabi the Jewler made my Cuban Every rock is precision rinsed some dirty money through a business I’m washing the dishes.

8.  I drove Chryslers trapping, spoke to my baby thru prison glass cold nights onna mattress raps in a higher bracket, im

9.  I’m too elite this ain’t a fair fight like Jake Paul’s jaw if young Tyson was jabbin nigha im Titan status (sayyy)

Hook (1x)

 

1.  I’m not the same I’m not any artist nigha imma Titan AmG on the trunk carbon fiber piping

2.  VVS in my Cuban told my jeweler Ice it , diamond chain wit my name i see da bitches like it

3.  Dope I sold knocked em out was like i was sellin Tyson, made it out da trenches snitches almost had me lifin

4.  This is how you level up this is how you heighten , imma Titan (sayyy) (whuhhh)

1.  When 12 came for the gang why take us all I took one for the team polished my cell floor away I was comfy & clean ,

2.  Coffee on the wake up game a spades discussing our dreams Now it’s navigation in big foreigns I’m touching the screen

3.  I’m Bridgeport buncha shooters concussions & screams bitches fuckin nighasfor designer in love withCeline

4.  You see me stressed in the pic on my prison ID to magazine covers God repainting his image of me (sayyy)

5.  They tried dimming my light they shade me, when they ask who da GOAT of 203 they never say me

6.  Them same niggas dm’n for features they gotta pay me, look how the tables turn like dj’n in the 80’s (whuhhh)

7.  So da God is Royal ,cce is royal I’m selling streams cooked up barz in aluminum foil

8.  CT Alumni’s it’s smoke we pull up to the broil, been outside you lookin nervous you new to the soil (sayyy

1.  I’m not the same I’m not any artist nigha imma titan AmG on the trunk carbon fiber piping

2.  VVS in my Cuban told my jeweler Ice it , diamond chain wit my name i see da bitches like it

3.  Dope I sold knocked em out was like i was sellin Tyson, made it out da trenches snitches almost had me lifin

4.  This is how you level up this is how you heighten , imma Titan (sayyy) (whuhhh)

“SO-LAR”

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Inland Years Present ‘Keep Your Eyes on the Road’ Out Now

Brooklyn-based Inland Years returns with Keep Your Eyes on the Road… a lo-fi, fuzzed-out folk record full of tape hiss, jangle pop, and late-night honesty. Out now, the album blends 60s-tinged psych and garage influences with the melodic minimalism of artists like Tony Molina and The Reds, Pinks & Purples.

Written and recorded alone in off-hours between work, caregiving, and everyday life, the record captures the quiet drama of motion and memory. Moments half-forgotten, repeated, or missed. The lyrics drift between emotional waypoints while guitars buzz and bend under the weight of analog wear.

https://inlandyears.bandcamp.com/album/keep-your-eyes-on-the-road

“It’s about the stuff we carry; between places, between people, between versions of ourselves.” — Inland Years

This is the project’s first LP-length release, following a series of small run cassettes. Though home-recorded and self-produced, Keep Your Eyes on the Road has gained traction via WFMU, CHIRP Radio, WQFS, and tastemaker blogs like Rosy Overdrive, Various Small Flames, and Left Off the Dial.

The cassette edition is already sold out, but the album is available digitally everywhere on BSDJ.

https://instagram.com/inlandyears

Don Broco’s “Cellophane” Is a Nu-Rock Confession in a Post-Everything World

Don Broco’s new single “Cellophane” doesn’t whisper. It doesn’t ask permission. It enters the room with a crash, punches the clock, and detonates a few sacred genre cows on the way to your soul. There’s something unapologetically raw about it—not just in the music, which rides a jackhammer riff into the center of your skull—but in the message. Underneath the glossy production and hybrid assault of styles is a naked confession: *I’m not okay, but I’m still standing.*

That kind of honesty is rare in rock music these days, especially when it comes wrapped in the armor of aggression and the swagger of arena ambition. But Don Broco have always been a band that refused to choose between the mosh pit and the mirror. “Cellophane,” their first release under Fearless Records, is more than just a banger—it’s a battle cry for the broken, a nu-metal-tinged war chant for anyone still pretending to have their act together.

Let’s talk sound first. Produced by Dan Lancaster (he of Muse and Blink-182 sonic sorcery), “Cellophane” walks the tightrope between precision and chaos. The rhythm section hits like a hydraulic press, while the guitars bite and twist with just enough industrial sheen to keep things dangerous. Rob Damiani’s vocals are a masterclass in dynamic range—crooning one second, snarling the next, then breaking into a near-scream that sounds like a man peeling off his own skin to show you what’s underneath. It’s not just vocal theatrics. It’s an exorcism.

The lyrics? They cut deeper than expected. “Cellophane” is about the fragile veneer we wear to survive—how we wrap ourselves in layers of false strength, hoping no one sees the cracks. It’s about admitting the illusion, and the fear of what happens when it finally tears away. In a world where curated confidence is currency, Don Broco are throwing their vulnerability into the ring. That takes guts.

https://www.youtube.com/watch?v=L8CEs2tvKy0&feature=youtu.be 

And yet, the song never wallows. This isn’t a pity party; it’s a call to arms. There’s a groove running through it, a defiant pulse that says, “Yeah, I’m broken—but I’m not done.” It’s that tension—between darkness and defiance—that makes “Cellophane” one of the band’s most compelling tracks to date.

Now signed to Fearless Records, the future is wide open. The label’s president Andy Serrao called them “creatively fearless,” and he’s not wrong. Don Broco don’t just blend genres—they set fire to the dividing lines. Rock, metal, pop, electronic—it’s all just paint on their sonic canvas. And “Cellophane” feels like a new brushstroke in a work still in progress.

With a global tour on the horizon and a track that hits with both muscle and meaning, Don Broco are stepping into the next phase of their evolution. And if “Cellophane” is any indication, they’re not just ready for the world.

They’re ready to blow the whole thing wide open.

https://www.donbroco.com/ 

– Lonnie Nabors

Nzondi Releases “Eaton Canyon Falls”

Nzondi is an indie rock artist from Elmont, New York. He released his debut single “Teenage RockStarr” in July 2022. It featured Dave Moreno (Puddle of Mudd) on drums and Fredro Starr (Onyx). In 2023, Nzondi wrote his next single “Whatever” in the vocal booth from the top of his head without writing anything down but singing the words onto the track on a first take. “I wanted lyrics that came from pure emotion, free of overthinking and self-destruction,” he said.

A few months later, Nzondi recorded the singles “Tequila Sunrise” and “Tequila & Rock ‘n Roll”. Both songs were co-produced by Luis Phatkat Vega (Queen Latifah, Gang Starr, Naughty by Nature), and are featured on his EP “The Tequila Anthems Listening Party” along with his punk-rock driven song “Dirty Underwear” with a release date of July 24, 2023 — National Tequila Day. Thanks to the promotional team at Alternative Twist Radio who broke his first single, Nzondi’s songs are now in rotation on nearly three-hundred radio stations globally with new stations adding his songs exponentially on a daily basis.

Nzondi Eaton:

 

·     Nzondi’s musical style is described as having a “twisted blend of punk and hard rock”.

·     He released his debut single “Teenage RockStarr” in July 2022, which was later renamed “Nothin’ Left” for an upcoming album.

·     He is known for his unique approach to songwriting; his single “Whatever” was written in the vocal booth on a first take, without any prior writing, aimed at capturing raw emotion free from overthinking.

·     Nzondi has released an EP titled “The Tequila Anthems Listening Party”, featuring singles like “Tequila Sunrise”, “Tequila & Rock ‘n Roll”, and the punk-rock driven “Dirty Underwear”.

·     His songs are played on nearly 300 radio stations globally.

·     His single “Nothin’ Left” features hip hop icon and actor Fredro Starr of Onyx, and Dave Moreno (Puddle of Mudd) on drums.

·     Nzondi’s album “The Tequila Anthems Listening Party” includes the songs “Tequila Sunrise” and “Tequila & Rock ‘n Roll”, co-produced by Luis “Phatkat” Vega.

·     Additional releases include “Freak”, “Something’s In The Dark”, “Hate on the Rocks”, “Bound for the Floor”, and a cover of Madonna’s “La Isla Bonita” featuring Renee Rice.

·     Other songs by Nzondi include “River on the Rocks (Interlude)”, “Just Dance (Bonus Track)” featuring Jenny Sabi, “Dirty Angel” featuring Jenny Sabi, “Eaton Canyon Falls”, “Cuts Like A Knife Pt. 1”, “Jar of Scars” featuring Crhymes, and “All At Once, Let’s Take Turns”.

Watch

“Eaton Canyon Falls”

below or on YouTube

Nzondi - Eaton Canyon Falls - Official Music Video

SONG LYRICS: “Eaton Canyon Falls”

Baby come on home

To Eaton Canyon Falls

It’s where your heart belongs

Eaton Canyon Falls

There’s no better place

Around the wind-y roads to where you and me were raised

I’d love to see your smiling face

When you roll into town and all the folk grin and-and wave

We’ll go to Bloomfield’s and get a triple scoop—so good

And sneak little kisses hiking through the backwoods

So baby come on home

To Eaton Canyon Falls

It’s where your heart belongs

Eaton Canyon Falls

We’ll roam where mountains touch the sky and let the sun kiss our lips and fill our hearts with desire

Let’s dip our toes in rocky streams and laugh out loud at crazy things we did when we were seventeen

Come on back home

What more can I say

Come on back home

I miss you every day

Come on back home

Come on back, Come on back,

Come on back, Come on back,

I need you in my life

We’ll go to Bloomfield’s and get a triple scoop—so good

And sneak little kisses hiking through the backwoods

So baby come on home

To Eaton Canyon Falls

It’s where your heart belongs

Eaton Canyon Falls

So baby come on home

To Eaton Canyon Falls

It’s where your heart belongs

Eaton Canyon Falls

©2025 ROEN Publishing, BMI.

Triumphant T.M.E. Records, LLC./Worldwide Music Distribution.

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Hit-Boy Releases “What’s the Deal”

For nearly two decades, Hit-Boy has been the mythical hand shaping the sound of Hip-Hop as we know it. The 3x GRAMMY Award-winning producer and rapper has crafted era-defining records that have stood the test of time. From the 5x Platinum “Drop the World” (853M+Streams) with Lil Wayne and Eminem (2010) to RIAA Diamond-certified tracks like “N***as In Paris” (3.5B+ Streams) with Jay-Z and Kanye West (2011),“XO” (800M+ Streams) with Beyoncé, and “SICKO MODE” (6.2B+ Streams) with Travis Scott and Drake (2018), there’s a reason why “Hit” is in his name. Working with a wide range of artists that also includes modern-day Hip-Hop royalty like Kendrick Lamar, Nicki Minaj, and Drake, as well as Pop stars like Ariana Grande and new artists like Doechii, has only amplified his reach.

His range is unmatched, and as a sonic chameleon, Hit-Boy helped score the blueprint of modern rap music while still continuously evolving his style and sound. In 2020, he became the chief architect behind Nas’ renaissance, executive producing the GRAMMY Award-winning King’s Disease trilogy—earning critical acclaim, industry validation, and a cemented reputation as one of the most decorated producers of his generation. But beneath all the Platinum and Diamond plaques, awards, accolades, and millions of records sold and streamed, was an artist biding his time. Now free from his 18-year deal with Universal Music Publishing Group (UMPG), his forthcoming solo album SFTWRE UPDTE finds Hit-Boy stepping fully into the light for the first time—not just as a producer, but as a man with a message, and an all-around musician geared to rewrite his own code.

Born Chauncey Hollis and raised in Southern California, Hit-Boy’s entry into music came through the internet-era hustle—uploading beats to Myspace and cold-emailing them to his idols. He became both a student and a master of FL Studio, ultimately redefining the production software’s parameters to make it his own. His DIY ethos coupled with an ear for both the classics and a futuristic sound caught the attention of Polow Da Don, and eventually Kanye West, who signed Hit-Boy to G.O.O.D. Music in 2011. What followed was a production run that redefined sonic luxury, as Hit-Boy not only surfed the wave of Hip-Hop’s growing prominence, but actively reprogrammed it. But the story behind the sounds was never seamless.
“I’ve taken time over my career to invest in artists, and always end up in this position where, I’ll basically change somebody’s life, while still just trying to change my own,” He reflects. “I’m at this point now where I’m taking that capital and I’m putting it into myself.” A similar sentiment can be said about his former publishing deal. At just 19 years old, Hit-Boy was locked into a highly binding deal, one where his genius was currency and often left him to be the last one paid. Those days are now behind him.

The course of his life has changed in so many ways throughout the duration of his career. With his father “Big Hit” being in prison for nearly 30+ years of his son’s life, once he finally left the prison halls, Hit-Boy wanted to help foster his father’s career on the shoulders of his own success, even helping his father release his project The Truth Is In My Eyes, while simultaneously amplifying his father’s work in prison reform. He even worked with COMMUNITYx to have his father released due to his unlawful sentencing. However, just when progress was within reach, his father re-entered prison. As a result, an emphasis on philanthropy, prison reform and supporting underrepresented communities is an ongoing aspect of Hit-Boy’s career outside of his decorated music career. Hit also severed his publishing deal after 18 years and became a father determined to break generational curses and trauma with his son. To do all of that, he had to hit a hard reset, focusing on the betterment of his health, both physically and mentally. “People have never seen me on this level, ” Hit expresses. “They’ve never even seen a free me. ” With the forthcoming solo album SFTWRE UPDTE, we meet a brand-new version of Hit-Boy, as he enters a creatively-free era, working to redefine his voice and role in the music industry and beyond by branching out into the film and tech industries simultaneously. “If I’m gonna update my software musically, I gotta update myself in the process, ” He explains. The project runs the gamut of that revelation, as it sonically and lyrically details the inner workings of Hit-Boy’s life and his mind. It’s vulnerable and experimental at the same time, while enlisting a diverse roster of guests including Dom Kennedy, Peezy, and Orion Sun.

In 2021, Hit-Boy served as Executive Producer of the Original Motion Picture Soundtrack for the Academy Award-winning Judas and the Black Messiah, and Composer/Executive Producer of the Original Motion Picture Soundtrack for Netflix’s Uncorked (2020). Hit-Boy has entered his most daring chapter yet: a sound pioneer now pioneering his purpose. “I’ve come to this understanding that I am more than what I contribute to this game,” he says.“My time here is precious, so I’m making the most of it.

Watch

What’s the Deal

below or on YouTube

Hit-Boy - What's the Deal (Official Video)

SONG LYRICS: Hit-Boy “What’s The Deal”

#INTRO

V twizzy

That’s how we comin’

It’s only right that I-

Put that real focus on myself, for once

Real wavy, SC type sh*t

#VERSE

V twizzy tires goin’ skirtt

It’s mayhem

Some of the hardest beats I ever heard

I made ‘em

Some of the baddest joints you ever seen

I played ‘em

Left they ass right where they stand

Straight up – cut it out

I ain’t taking no pay cut

N*ggas telling stories how they up

They ain’t up

I’m married to this loaf, skip the wedding ring

I don’t trust a thing, I’m watchin’ everything

Lift me from the dirt, I was hurt they tried to bury me

I woke up out a scary dream

Thought I was you n*ggas, it was scaring me

It’s smoke in y’all black mirrors

My story realer than most of these cap n*ggas

I ain’t shoot no craps wit ‘em

We can’t hit the stu

We don’t need to stay in touch if imma tell the truth

I ain’t wit the lies, find someone to tell ‘em to

Treat this shit like Peloton how I pedal through

We been goin’ federal ooh

Couple runners in the sprinter (ay)

Dark shadow Rick beanies for the winter (ay)

We shoot first we don’t talk first

Credit cards on me and they all work

Different color stones, pack of Starburst

I don’t look like a star, I look like hard work

What you really know about it (uh)

What you really know…

#CHORUS

Got some old homies, I swear I used to love ‘em

Gave ‘em all a fair shot before I said f*ck ‘em

I had played it cool, now I’m looking for trouble

Wanna reach me

Hit my n*gga Reg

Hit my n*gga Double

#VERSE

F*ck peace

Parked in the alley and they strapped up

Pull a skit then peel off in a black truck

I got slaps, rolling sh*t up in a slap wood

I hit a freak and put the footage on the MacBook

When it come to beats, the beats come to me

I’m like Sonic on the FL, I’m running rings

Tennis chains on my neck, more than a dub a piece

I’m not lying lil bro, n*ggas can’t f*ck wit me

F*ck it

That’s how I feel

What’s the deal

One hand on her t*tties, I got one hand on the wheel

Lover boy balaklava so they can’t see who I is

Brodie bro like SahBabii

He pulled up wit a stick (pulled up wit a stick)

Bag it in the package I just got the tracking

Crack a h*e straight up, ain’t no dirty macking

Who really active, really ‘bout this sh*t

Who get it crackin

They in stacked jeans, but I’m the one that’s really stacking

Show ya ass and imma grab the belt

Took it to the Max B, I think I’m Biggavell

I went GT3 cause that’s just how I felt

They ask me what I’m working on

I’m working on myself

#CHORUS

Got some old homies, swear I used to love ‘em

Gave ‘em all a fair shot before I said f*ck ‘em

I had played it cool, now I’m looking for trouble

Wanna reach me

Hit my n*gga Reg

Hit my n*gga Double

Hit-Boy

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Mighty One Man Band Launches “Spacebound”

A Synth-Charged Cosmic Anthem Exclusive to Bandcamp

Mighty One Man Band, the electrifying one-man sonic force led by Bruce Atomo, unleashes his latest single “Spacebound,” a pulsating blend of math rock grit and synthwave dreamscapes.

Released exclusively on Bandcamp, this cosmic anthem is a love letter to outsider energy and creative independence. “Spacebound” rockets listeners into a universe of cosmic loneliness, where distortion-drenched guitars collide with retro-futuristic synths and driving drums, all played live, simultaneously, without loops or backing tracks.

The track explores the emotional turbulence of longing and isolation in a digital world, wrapped in soaring melodies and raw performance energy. Known for his live setup where he plays drums, keys, and guitar while singing, all at once, Mighty One Man Band continues to push the boundaries of what one artist can do on stage and in the studio.

“Spacebound” is only available via Bandcamp, staying true to the artist’s roots in independent music and direct-to-fan connection. For fans of Smashing Pumpkins, Tycho, or Nine Inch Nails with a DIY twist, this is a journey worth taking.

https://mightyonemanband.bandcamp.com/track/spacebound

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https://bsky.app/profile/mightyonemanband.bandcamp.com-

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“Hearts on the Highway: Midnight Sky Bets It All on Love and Loss”

There’s something about a song like “Hearts Are Wild” that doesn’t just play—it lingers. Like the last slow dance before the bar lights flicker on and reality comes crashing through the smoke and bourbon. Midnight Sky, led by the ever-introspective Tim Tye, delivers a dust-covered, soul-stung ode to the kind of love that burns, bruises, and brandishes your name in the book of beautiful mistakes.

This track is Americana in its purest, most poetic form—not the stuff that gets dressed up for the Grammys or paraded out at polished songwriter rounds, but the kind that lives in the glove compartment of a ‘78 Dodge Ram next to a half-empty bottle of Jack and a cassette of Townes Van Zandt. The lyrics are the lovechild of road-worn wisdom and Vegas risk. “You made me go all in with a deuce and a queen / Crazy enough to hit a hard 17”—that’s not just a line, it’s a tattoo etched into the spirit of anyone who’s ever loved too recklessly and hoped too hard.

Tye doesn’t write from a pedestal. He writes from the passenger seat. From a barstool. From a rented room with a view of neon regret. And “Hearts Are Wild” plays out like a late-night phone call you shouldn’t make, but do anyway, because the silence is worse. The storytelling is cinematic—evoking not just imagery, but emotion. You’re not just hearing this song. You’re feeling it: in the hum of the tires on the freeway, in the weight of the chips hitting the felt, in the flash of memory when someone says her name.

https://www.youtube.com/watch?v=TzkTxSV9pyQ&pp=ygUkdGltIHR5ZSBtaWRuaWdodCBza3kgaGVhcnRzIGFyZSB3aWxk 

Musically, the track grooves with restraint. It doesn’t need to shout. The instrumentation feels like it’s holding its breath—acoustic textures laced with a subtle electric wail, a rhythm section that walks the line between steady and staggering. Everything serves the story. Nothing’s overcooked. This isn’t about showing off. It’s about showing up—with the truth, with the hurt, with the wild heart still somehow beating.

What strikes hardest is the woman at the center of it all—elusive, dangerous, impossible not to chase. “You’re a passionate woman with the soul of a child.” That line alone is enough to haunt a songwriter’s notebook for years. But Tye doesn’t over-romanticize her. He sketches her with just enough shadow and light to make her real. Mysterious, yes. But flawed. Human. Like all the muses we keep trying to outrun but never really want to forget.

“Hearts Are Wild” isn’t a song you blast through speakers at a party. It’s the one you put on when the world gets too quiet and you need to remember who you are and what you’ve lost—and that maybe, just maybe, those are the same thing. Midnight Sky has crafted a tune that feels like dusk on the edge of a breakdown, or the first sign of morning after a long night of almosts.

In the end, this isn’t just a song. It’s a story. One we’ve all lived in some form. And like all great stories, it doesn’t end with closure—it ends with the engine starting up again and a whisper: Drive.

“Hearts Are Wild” is on Midnight Sky’s August 8th album release, “Just Before Dawn.”

–Lonnie Nabors

Just Brittany Releases Two Part Journey “Round Trip”

Just Brittany takes flight with Round Trip—a bold two-part sonic journey that captures the highs, heartbreaks, and hard truths of love, success, and self-discovery.

Divided into Disc One: Outbound and Disc Two: Inbound, the album mirrors a round-trip ticket through her real-life experiences—starting with the fire of independence and ending in reflective vulnerability.

On Outbound, Brittany pops off with confidence and edge. From the unapologetic “Bad Bitch” to the bass-heavy bounce of “Pop Dat” and “Not Regular,” she delivers anthem after anthem for women who know their worth. It’s the part of the trip where you’re lit, in motion, and not looking back.

On Inbound, she slows it down and opens up. Songs like “My Man,” “Take Your Time,” and “Hate 2 Love” explore the emotional turbulence behind the glow-up. And with tracks like “Houston No Dey Carry Last,” she reps her roots loud and proud, bridging Houston’s grit with global flavor.

Crafted with vulnerability, confidence, and intention, Round Trip proves that Just Brittany isn’t just back—she’s in full control of the journey. Whether you’re getting lit or locked in your feelings, this album is the soundtrack for every stage of the ride.

Alex Krawczyk Channels the Spirit of the Dead with “Love Through Sound”

There’s a certain sacred thread that weaves through the great musical mystics. You hear it in the heart-scarred whispers of Leonard Cohen, in the cosmic campfire tales of Jerry Garcia, in the intimate hush of Joni’s Blue. On her new single “Love Through Sound, Canadian folk-pop songstress Alex Krawczyk picks up that thread and gently runs it through her fingers, crafting a delicate tribute to the healing, unifying power of music.

Releasing fittingly on August 1—Jerry Garcia’s birthday—this track isn’t just a song. It’s a reverent invocation. Co-written with her frequent collaborator and producer Robbie Roth, the tune feels like a love letter to the Deadhead ethos: not the tie-dye and twirling clichés, but the deeper spiritual undercurrent that pulses beneath it all. The notion that music—pure, unfiltered, soul-fed sound—can connect strangers, soothe wounds, and maybe even save us.

“Casey Jones you’ve got me riding high,” she sings at the top, and right away the path is lit. Krawczyk doesn’t mimic the Grateful Dead. She channels them. She borrows their symbols like a painter reinterpreting a sacred scroll, not to copy, but to communicate something eternal. There’s Cumberland mines and Uncle Sam’s blues, yes, but also a universal longing that’s all her own. “Your golden road has strangers shaking hands…” — that’s not just a lyric, it’s a lifeline. In these fractured times, it feels like a prayer.

Robbie Roth’s production is clean, warm, and emotionally tuned. Acoustic guitars ring like open hearts. Electric textures courtesy of Tim Bovaconti and Caroline Marie Brooks shimmer like stardust over Devon Henderson’s steady basslines. Davide DiRenzo’s drumming doesn’t drive the song so much as accompany it on its pilgrimage. Robbie Grunwald’s piano work is subtle but essential, gently tucking its melodies into the corners like light through stained glass. And then there’s Alex—ethereal, honest, present. Her voice doesn’t demand attention; it earns it.

“Love Through Sound” feels less like a single and more like a meditation, a moment of pause in a world that rarely allows one. The refrain—simple, repeating—works its way under your skin, like a mantra, like a memory. It dares to believe that something as intangible as sound can become something as vital as love. And if you’re really listening, it proves it.

There’s a humility to Krawczyk’s music that speaks volumes. She’s not chasing stardom. She’s not posing in front of some Instagram-filtered dreamscape. She’s standing in the tall grass, heart on sleeve, offering a melody like a message in a bottle. There’s a purity here, a stillness. And in that stillness, something sacred stirs.

This is a song for the seekers. For those who believe that art can still mean something. For those who find solace in melody, and maybe even salvation in harmony.

“Love Through Sound” is not just an homage to the Grateful Dead—it’s a quiet reminder that the road goes on forever, and that the music, if we let it, can carry us all the way home.

Play it loud. Play it alone. Or better yet, play it with someone you love—and feel the silence between you disappear.

–Lonnie Nabors

A Virtuoso in Bloom: Bernadett Nyari’s “Radiance” Illuminates the Emotional Power of the Violin

In an age of algorithm-driven singles and disposable pop hooks, violinist Bernadett Nyari emerges as a singular force, reminding us of the transformative power of melody and emotional authenticity. Her new composition and music video, “Radiance,” taken from her upcoming album Heart of Diamonds, is a cinematic and soul-stirring work that manages to be both intimate and expansive—an artistic balancing act few musicians dare attempt, let alone achieve with such elegance.

Nyari, a Hungarian-born virtuoso, is no stranger to the global stage. Trained in the classical canon under the formidable tutelage of Silvia Marcovici, her career has traversed over 90 countries and taken her to storied venues like Carnegie Hall. But “Radiance” is not simply the product of a classical musician showing her technical prowess. Instead, it is a full-bodied expression of voice—crafted not with words, but with strings, silence, and sentiment.

The track opens in near stillness, a delicate hush that immediately draws the listener in. Nyari’s violin, almost whispering at first, traces long, aching notes that bloom with cinematic intention. It’s as if she’s not merely playing the violin, but breathing life into it. The melody unfolds gradually, like sunlight pushing through a clouded sky. And when the orchestral accompaniment swells—subtle strings and ambient textures—it feels earned, not imposed.

There is a narrative quality to “Radiance” that mirrors Nyari’s own artistic journey. Though deeply rooted in classical tradition, she has always flirted with genre boundaries. Her 2018 album Miles of Styles was a genre-spanning declaration, while 2022’s Redemption (which reappears on Heart of Diamonds) signaled her shift into composition. With “Radiance,” that evolution reaches full bloom. It is as much about feeling as it is about form.

Visually, the music video is a powerful extension of the composition’s emotional arc, with Nyari herself front and center throughout. Performing with passionate intensity, she commands the screen, her violin nearly an extension of her own body. The visuals shift from shadow to light as she plays, mirroring the piece’s movement from quiet introspection to luminous release. The camera lingers on her expressions—focused, vulnerable, transcendent—offering a rare glimpse into the soul of a performer completely immersed in her craft. Rather than simply accompanying the music, the video amplifies it, turning Nyari’s performance into a visceral, visual narrative.

In many ways, “Radiance” is a study in restraint. Nyari avoids the flashy virtuosity that plagues much of modern instrumental music. There are no acrobatic crescendos, no pyrotechnic runs designed to impress. Instead, she opts for nuance. Her vibrato is measured. Her phrasing is meticulous. Her silences—those carefully suspended moments between notes—are weighted with as much meaning as the melodies themselves.

That emotional discipline is perhaps what makes “Radiance” so affecting. It’s not music that demands your attention—it quietly commands it. And when the piece reaches its apex, a soaring refrain that seems to transcend the instrument itself, it’s not a climax of volume but of feeling. It’s a moment of earned catharsis, where listener and performer meet in mutual surrender.

The title, “Radiance,” is no accident. The composition glows not with bombast, but with sincerity. It recalls the spiritual warmth of Arvo Pärt, the cinematic sweep of Max Richter, and the melancholic elegance of Ludovico Einaudi—all while maintaining Nyari’s unmistakable voice. It is a piece that feels simultaneously timeless and contemporary.

Nyari’s decision to lead with “Radiance” as the visual and sonic introduction to Heart of Diamonds is both strategic and symbolic. If this track is any indication, the album promises to be a meditation on identity, resilience, and emotional truth. It also reaffirms Nyari’s growing status not just as a performer, but as a composer capable of bridging the classical and the modern, the personal and the universal.

In a world that often privileges speed over stillness, Bernadett Nyari asks us to pause. To listen. To feel. “Radiance” is more than a piece of music—it is an invitation. One well worth accepting.

–Ralph Guiness

Quinn Lemley Nabs Josie Music Award Nom for Vocalist of the Year (Jazz/Blues)

NASHVILLE, TN — Firecracker jazz diva and stage siren Quinn Lemley is turning heads once again with a 2025 Josie Music Award nomination for Vocalist of the Year (Jazz/Blues). The 11th annual event hits the legendary Grand Ole Opry House on Sunday, November 2nd.

Lemley isn’t just a singer—she’s a full-blown experience. With her signature blend of Old Hollywood glamour and modern swagger, she’s built an entertainment empire one velvet glove at a time. Whether she’s lighting up stages with Burlesque to Broadway or channeling Rita Hayworth in The Heat Is On!, Lemley delivers showbiz with a capital S.

Her red-hot jazz quintet has toured the globe, including a residency at the world-famous Half Note Jazz Club in Athens, Greece. Add in a degree from NYU’s Tisch School of the Arts, appearances on OprahGMAShark Tank, and even a cameo in the music doc The Greatest Ears in Town (with Bette Midler and Norah Jones, no less), and you’ve got a résumé that reads like a masterclass in reinvention.

But she doesn’t stop at the stage. Lemley hosts the behind-the-curtain talk show Secrets of the Stage and a monthly virtual concert series Up Close & Personal. Her albums—SirensBurlesque to BroadwayDance or Die, and the sultry new Swinging Hot Tomato—are streaming everywhere.

Already the winner of the 2024 BroadwayWorld Cabaret Award (Best Vocalist), plus a Bistro Award and two MAC Award nominations, this Josie nod is the latest proof that Lemley’s flame isn’t flickering—it’s blazing.

The Josie Music Awards are the gold standard for indie musicians, judged by a panel of industry pros who know the real thing when they hear it. And Quinn Lemley? She’s the real damn thing.

More on Quinn Lemleywww.quinnlemley.com
More on the Josie Music Awardswww.josiemusicawards.com

How Divorce Lawyers Can Help You Through a Difficult Time

Divorce can be one of the most challenging and emotionally taxing experiences in a person’s life. The complexities of legal proceedings, financial implications, and the potential impact on children can create a daunting landscape for those navigating this transition. In such tumultuous times, the role of a divorce lawyer extends beyond legal representation; they become vital allies, offering guidance and compassionate support to help individuals regain a sense of stability. A divorce lawyers in Arlington VA not only provides essential guidance through the intricacies of family law but also advocates for their clients’ interests, ensuring that their rights are protected. They can assist in navigating critical decisions, such as asset division, child custody arrangements, and spousal support, all while minimizing conflict and focusing on achieving a fair resolution. By leveraging their knowledge of the legal system, divorce lawyers empower clients to make informed choices, mitigating stress and uncertainty during a period marked by upheaval. This article explores the invaluable role that divorce lawyers play in facilitating a smoother transition through one of life’s most difficult chapters, highlighting how their guidance can significantly ease the burden of divorce, allowing clients to focus on healing and rebuilding their lives.

Understanding your legal rights effectively

Navigating the complexities of legal rights during a divorce can be daunting, yet it is essential for individuals to grasp the full scope of their entitlements and obligations. A comprehensive understanding of these rights not only empowers individuals to make informed decisions but also helps prevent potential exploitation or misunderstandings that can arise throughout the divorce process. Knowledge of asset division, child custody, and support obligations, among other factors, is critical for ensuring that one’s interests are adequately protected and represented.

Accessing reliable legal resources and seeking professional guidance can significantly enhance one’s comprehension of their legal standing. Divorce lawyers are equipped to explain intricate legal jargon and provide clarity on state-specific laws, making them invaluable allies in this challenging journey. By equipping individuals with knowledge and strategic insights, legal professionals play a vital role in facilitating a more equitable and fair resolution, ultimately fostering a smoother transition into the next phase of life.

Navigating complex divorce processes smoothly

Effective navigation of the divorce process hinges on clear communication, organization, and strategic planning. Engaging with a skilled divorce lawyer can streamline interactions with the court and opposing counsel, ensuring that critical documents are filed timely and accurately. Legal professionals can help clients prepare for hearings, gather necessary evidence, and articulate their positions clearly, minimizing the emotional and logistical burdens that often accompany divorce proceedings. By fostering a structured approach to each phase of the divorce, individuals are better equipped to manage their expectations and remain focused on the ultimate goals of resolution and stability.

Moreover, divorce lawyers can facilitate negotiations and mediate disputes, promoting amicable resolutions that can spare families the stress of prolonged litigation. By advocating for their clients’ interests while encouraging cooperative dialogue, these legal proficiencies can help avoid unnecessary conflicts and foster a more positive environment for future co-parenting. This emphasis on smooth navigation not only aids in achieving favorable outcomes but also promotes emotional healing, allowing individuals to move forward with their lives post-divorce.

Providing emotional support during transitions

Recognizing that a divorce is not merely a legal transaction but a profound emotional transition, lawyers can offer a listening ear and a compassionate approach. They understand the psychological toll that such life changes can impose on clients and often provide resources or referrals to counseling services. By validating feelings of anxiety or uncertainty and offering reassurance throughout the process, legal professionals can help clients feel less isolated during a challenging period.

Additionally, divorce lawyers play a critical role in helping clients establish a new sense of normalcy. By guiding individuals through practical steps, such as financial planning or co-parenting arrangements, attorneys can empower clients to regain control over their lives. The structured support from a knowledgeable advocate allows individuals to focus not just on the legal aspects but also on their personal well-being, fostering resilience and adaptability during this transitional phase. Ultimately, skilled legal counsel can bridge the gap between legal requirements and emotional healing, ensuring clients feel supported every step of the way.

Negotiating fair settlements for both parties

Effective negotiation is pivotal in reaching settlements that are equitable for both parties involved in a divorce. Divorce lawyers leverage their guidance to facilitate discussions that prioritize fairness, ensuring that each party’s rights and interests are considered. This balanced approach helps to minimize animosity and fosters a more amicable resolution, which is particularly beneficial when children are involved. By carefully assessing the needs and concerns of both clients, attorneys can propose solutions that address financial distributions, asset division, and custody arrangements, thereby paving the way for a cooperative future.

Moreover, skilled negotiators understand the nuances of each party’s situation and can tailor their strategies accordingly. They can identify areas of potential compromise, allowing both spouses to feel heard and validated in the discussions. This not only aids in reaching a settlement that reflects the realities of both individuals’ lives but also sets a constructive tone for future interactions, especially in co-parenting scenarios. Ultimately, the goal is to secure agreements that provide stability and clarity for both parties, helping them to embark on the next chapter of their lives with a sense of closure and fairness.

Guiding child custody arrangements professionally

Navigating child custody arrangements requires a delicate balance of empathy and legal knowledge. Professionals in this field are adept at guiding parents through the complexities of custody agreements, focusing on the interests of the child while addressing the unique circumstances of each family. They work to facilitate communication between parents, helping them understand the importance of maintaining a cooperative relationship post-divorce, which ultimately benefits the child’s emotional and psychological well-being. By providing insights into various custody options, including joint and sole custody, attorneys can help parents make informed decisions that align with their family’s needs and dynamics.

In addition to serving as mediators, divorce lawyers also advocate for their client’s rights and priorities during custody negotiations. They diligently ensure that both parents are treated fairly and that the child’s welfare remains at the forefront of any arrangement. By leveraging their understanding of family law and local regulations, attorneys can craft comprehensive custody plans that address visitation schedules, decision-making authority, and potential modifications as family circumstances evolve. This professional guidance not only aids in achieving a resolution that is equitable and sustainable but also lays the groundwork for a positive co-parenting relationship moving forward.

Conclusion

Navigating the complexities of divorce can be an emotionally taxing experience, but enlisting the help of a skilled divorce lawyer can provide invaluable support during this challenging time. These professionals not only offer legal guidance to ensure your rights are protected but also serve as compassionate advocates who can guide you through the emotional turmoil associated with separation. From negotiating settlements to addressing child custody arrangements, divorce lawyers are equipped to manage the intricate details of the process, allowing you to focus on healing and rebuilding your life. By seeking their assistance, you are taking an important step towards achieving a fair resolution and moving forward with confidence.

Hailey Hermida to Release New Single “Straitjacket”

Hailey Hermida to Release New Single “Straitjacket”

Stream today at https://lnk.to/straitjacket

JULY 22, 2025 – LOS ANGELES, CA – Punk-rock singer, Hailey Hermida has released her new single “Straitjacket” today. “Straitjacket pushes back against the ways society tries to control our decisions”

Hailey continues, sharing “there’s a pressure to make yourself small, to not be too emotional, too opinionated, too honest, and when you push back, they make you feel like you’re the crazy one. That’s where the title came from. It’s a metaphor for how people try to control you by making you doubt yourself. ”

Fans can stream “Straitjacket” today at https://lnk.to/straitjacket.  

“Straitjacket” is the follow up single to her massive hit “sad boy shhh” The music video has amassed nearly 200K views on YouTube. The track merges 2000s pop-rock sounds from Paramore with modern emo electronic synth textures inspired by Billie Eilish.  Fans can check out the debut music video at  https://youtu.be/UEjp1K8nk5Q

Hailey Hermida first started writing when she was 13 years old to make sense of the chaos happening around her during the pandemic. It started as a hobby, but she then realized it could be more. In Spring of 2023, she got on stage for the first time at the Mint and discovered her love for pop-rock music and how electrifying performing live can feel. Since then, she’s been working with grammy-nominated producer Riley Urick and co-songwriter Onique “Sparrow” Williams, who together have worked with artists like Usher and Britney Spears. Together they’ve crafted punk music that blends high energy vocals with hard driving guitar bass riffs.

Hailey explained that “straitjacket came out of a moment where everything felt too loud. Too much in my head. I didn’t write it to prove anything, it was more of  a release. As the track started to build, it felt like all the pressure I had been carrying finally had somewhere to go.”

“Straitjacket isn’t polished, punk-rock doesn’t need to be. It’s supposed to feel like a scream from the inside. I can’t think of anything more visceral than physically being put in a straitjacket, and that’s what the song is supposed to feel like.” Hailey continues, “Specifically, the chorus where the singing feels more staccato, it’s supposed to feel like you are struggling to move and breathe.”

Like the punk-rock music that first inspired her as a teenager, Hailey Hermida sees her music as an outlet for self expression and when emotions feel too big.  It’s a means to process her feelings in a way that’s likely to connect with others. “Straitjacket” pulls inspiration from 2000s driving rock basslines like Korn’s 2003 song “Y’all Want a Single” and Hayley Williams’ vocals on “Pressure” from Paramore’s debut album. It’s a new direction for Hailey, who wanted to lean more into 2000s punk rock tracks with hardcore notes and guitars. Hailey continues, “My past work was more pop/electronic. I wanted to try something new and sound more punk rock, like some of my favorite bands All American Rejects, Green Day, and Bikini Kill.”

Fans can expect more music from Hailey Hermida very soon.

###

PHOTO CREDIT: RACHEL BRIGGS

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@haileyhermida

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Gina Zollman Drops Originals and Lands Josie Music Award Nomination for Vocalist of the Year

Acclaimed singer-songwriter Gina Zollman just scored a nomination for Vocalist of the Year (Adult Contemporary) at the 2025 Josie Music Awards—a top-tier honor in the indie music world. And she’s not showing up empty-handed: her brand-new album Originals just dropped, packing 17 raw, genre-hopping tracks written and performed entirely by Zollman herself.

Set for this fall at Nashville’s legendary Grand Ole Opry House, the Josie Awards spotlight the very best in independent music across every genre. Zollman’s nomination is more than just well-earned—it’s proof that honest, soul-baring storytelling still wins hearts.

“I’m incredibly honored to be recognized by the Josie Music Awards,” Zollman shared. “To be nominated in such a talented field—and at this point in my journey—is overwhelming in the best way. Originals is the most honest work I’ve ever done.”

Produced alongside longtime collaborator and songwriter Kevin FisherOriginals fuses adult contemporary, jazz-pop, and modern folk into one hell of a listening experience. Tracks like “Any Road You Choose,” “Heartbreak Highway,” “You,” and fan-favorite “Garden Grove, California” showcase Zollman’s signature mix of lyrical depth, wit, and vocal vulnerability.

Onstage, her ORIginaLS live show is making waves too. A one-woman performance that’s equal parts concert, confessional, and comedy hour, it’s wowed audiences at both The Gardenia in Hollywood and Arthur Newman Theater in Palm Desert.

Once a high-powered corporate exec, Gina Zollman flipped the script and found her true voice as a full-time artist. Her story is living proof that it’s never too late to take the leap—and sing your damn heart out.

Originals is streaming everywhere now and available for purchase on iTunes/Amazon.

For media inquiries, tour dates, or to connect with Gina:
Visit www.ginazollman.com or follow @gianninaz26 on Instagram.

ABOUT GINA ZOLLMAN
Gina Zollman is a genre-blending vocalist and songwriter known for her powerhouse vocals, quick wit, and fearless honesty. A Los Angeles native, she’s graced stages across the country with her unique blend of jazz, cabaret, adult contemporary, and original music. Her debut album Anywhere With You turned heads with its intimate jazz takes—while Originals cements her status as an artist with something to say, and a voice you won’t forget.

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Orkney singer-songwriter and nature focused musician Merlyn Driver announces debut album + shares ‘Onto Something’

https://www.youtube.com/watch?v=PyibdfIx3KE

OHHara drop pulsing, balletic “With You” video

https://vimeo.com/1101342531/a2c3643ea3?share=copy

guitarist Mason Lindahl announces double album

https://song.link/masonlindahl

Rising Country Star Shane Profitt’s “Long Live Country” Second Most Added at Country Radio with 49 New Adds

https://tripletigers.lnk.to/longlivecountry

Bentrees Return with New Single “The Sky Never Dies”; First Taste of Their Upcoming Album

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Small Shake Shares New Single & Video “Lucky” | Debut EP ‘Platonics’ Out August 22

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Nation of Language Shares New Single “Under the Water”

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Caged Animals signs to You’ve Changed Records – New single “Alligator” out today!

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SHEKINA GRACE MOYES Releases “SHINE LIKE HEAVEN”

2025 UPLIFTING CHRISTIAN MUSIC

CHH/ R&B / POP / DANCE

UNIQUELY BLENDED & HOLY SPIRIT FUSED

Shekinah Grace Moyes, the dynamic vocalist/ songwriter/ and producer behind Angel Gospel Music since 2021, continues to captivate audiences with her powerful vocals and heartfelt songwriting. Trained from a young age as an opera singer, dancer, and actress, Shekinah pursues music with professional training, tireless dedication, and relentless faith. She ranked among the Top 3 Campus Singers in college and placed in the Top 10 at a regional beauty pageant during an International Global Competition.

Known for her versatility, she writes and performs in multiple languages and genres, often incorporating dynamic dance into her performances. Since 2015, her voice has reached audiences through cable TV and radio across the USA and Canada.

Her highly anticipated new album, Made to Shine, is set to release soon, accompanied by music videos and standout singles like “Shine like heaven” and the title track “Made to Shine.” With an unwavering commitment to her faith, Shekinah uses her God-given gifts to create music that spreads the Gospel with passion and purpose.

Her upcoming album, Made to Shine, is set to drop soon, featuring music videos and key singles like “Shine Like heaven” and “Made to Shine.” Driven by her faith, Shekinah’s music is a bold expression of her mission to share the Gospel with the world.

Made to Shine masterfully blends gospel, dance, pop, and R&B, offering a fresh and inspiring sound for Christian music fans worldwide.

This music video, created by Angel Gospel Music, draws inspiration from Psalm 17, a heartfelt song of thanksgiving and praise to God, reflecting David’s deliverance from his enemies.

We are deeply grateful for the incredible Christian brothers and sisters who joined us, coming together almost at the last minute. Their love, dedication, and hard work allowed us to complete this project in just one day with minimal preparation. Their presence brought an undeniable positive energy from God, making this experience truly remarkable.

May this video fill your heart with God’s joy, love, and peace!

Watch on Vevo:

SHINE LIKE HEAVEN

or below or on YouTube:

Shine like heaven by Shekinah Grace Moyes(Angel Gospel Music) official music video with lyrics

SONG LYRICS – “Shine Like Heaven”

Oh oh oh ! Yeah!

He sees me, He sees me!

Oh, oh, oh, let’s go!

You can dance in the light of the Son now!

Woke up, woke up with a prayer in my mind.

Got angels on my side, I’m feeling fine.

He guards me like the apple of His eye.

Shadow of His wings, that’s where I hide.

Diamonds fall when I call,

He’s my shelter through it all.

No fake love, just divine,

yeah, I’m chosen, I’m His.

I’m not just living for the world to see,

I’m walking in purpose, He’s guiding me.

Keep my heart pure, let my steps be true.

Psalm 17’s vibe and I’m made new.

I’m a heaven girl, living in His world,

walking in the truth, shining like the moon,

dancing in the light, yeah, I’m Heaven- tuned.

You’re a heaven girl (heaven girl)

Born to light the world (light to the world)

He hears your cry, wipe your eyes,

baby girl, you are sanctified.

Shine, shine, don’t hide your light,

dance, dance, through holy night.

Pray, slay, stay in the fight,

Psalm 17, yeah, that’s alright.

You are protected, every night

In His presence, you’re alright,

He holds your heart, He got your way.

He walks beside you every day.

Oh, He’s watching, oh, He’s near,

oh, no fear,

you’re His, my dear.

We see the glow, we see your fire,

set apart and raising higher,

shining in His holy light.

You’re His daughter, clothing white.

Oh, I’m not just living for the world to see,

I’m walking in purpose, He’s guiding me.

Keep my heart pure, let my steps be true.

Psalm 17’s vibe and I’m made new.

I’m a heaven girl (heaven girl)

living in His world (His world),

walking in the truth,

shining like the moon.

Dancing in the light,

Yeah, I’m heaven- tuned!

I’m a heaven too,

You’re a heaven girl (heaven girl)!

Born to light the world (light the world)

He hears your cry, wipe your eyes,

baby girl, you are sanctified.

Shine, shine, don’t hide your light,

dance, dance, your holy night.

Pray, slay, stay in the fight,

Psalm 17, yeah, that’s alright.

Oh, He’s watching,

oh, He’s near,

oh, no fear,

you’re His, my dear.

We see the glow, we see your fire,

set apart and rising higher,

shining in His holy light.

You’re His daughter, clothed in white.

He loves me better than diamonds, sweeter than gold.

Gave me a story, no enemy stole.

Hands in the sky, yeah, I testify.

With every beat, I’m sanctified.

I’m a heaven girl(heaven girl)

living in His world(living in this world)

walking in the truth, shining like the moon

dancing in the light, yeah, I’m heaven- tuned

you’re a heaven girl (heaven girl)

born to light the world (light the world)

He hears your cry, wipe your eyes,

baby girl, you are sanctified.

Hold me close in Your righteousness,

when I wake, I see your face, I’m blessed.

You’re my joy, my King, my world,

I’m not just a girl, …

I’m a heaven girl.

“SHEKINA GRACE MOYES”

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